Bangkok After the Rain

Late nearly every afternoon in summer a light, soft rain descends over Bangkok. Allegedly, this is monsoon season but the weather here doesn’t correspond to a deluge of water, so much as the quick showers that affect the Mogollon Mountain range of southwestern New Mexico in midsummer.

After the rain abates and Sukhumivt Soi 11 feels washed clean once more, pedestrians gradually re-appear and wander along a street crowded with motorbikes, tuk-tuks and taxis.  The hardcore food vendors with their improvised carts remain a permanent fixture, regardless of weather – only to be joined in mid-evening by the literal makeshift restaurants that serve as sidewalk cafés where space allows.

Several nights ago my favorite vendor for sweet-and-sour pork was on one side of the street.  Last night, he setup his cart and the odd tables and the cheap plastic chairs on the opposite side of Soi 11. No matter, the food is good and for 100 baht (about $3), including a cold can of Coca-Cola, I was squared away for the evening – except for maybe some beef satay from another cart that specializes in this tasty snack.

When I’m at an impromptu sidewalk café, the entertainment value from the spectacle of humanity is ideal. Everyone in the world seems to traverse Soi 11, and yet this side street hardly compares to busier neighborhoods in Bangkok. Conventional couples pass by, a husband and wife who share any easy familiarity; young couples in their mid-20s in a pointless hurry; the older Western man (farang) and the younger Thai woman (katoey), who is equal parts prostitute and tour guide. Occasionally, a bedraggled Hindu man wanders by with a fake Rolex and makes a half-hearted sales pitch. On one side of the street, some passive women in their late 20s-to-early 30s sit quietly in uniforms to offer legitimate massages. On the opposite side are younger, aggressive women in their late teens-to-early 20s wearing casual apparel; beckoning and cajoling single farangs to enjoy dubious oil massages in dimly lit quarters lacking any ambiance.

Between the respectable hotels and the street scenes is a mile of contradictions, the air pulsating with back chat. Bangkok taxi drivers are always in full supply, but they ask too many questions; the aim is to learn something useful so they can drive you to a tailor or a blowjob bar for a slight kickback. I like to draw my own door and walk right through, but some times I prefer to become a surprise to myself. Shortly after the early evening rain, a taxi driver approached me. He was a stocky, broad-faced man in middle age, with a gold front tooth and a stash of self-rolled cigarettes in his breast pocket. He projected an air of warmth and openness. He was a con artist.

“Boss, you want pretty young girl? I know the best.”
“No, that’s fine.”
“Boss, no need go anywhere else. I take you to good place. The girls are clean and friendly.”
“No, that’s okay.”
“For you, my friend, a girl for 2,500 baht [$80].”
“No, I’m good.”
“I talk to the mamasan and get you better price. Girl will do whatever you like.  All night.”

I don’t recall that my father gave me the same sound advice Nick Carraway acquired from his old man, but I’m sure that I was told to avoid taxi drivers in foreign cities pimping young women. Some times my self-defeating Gaelic recklessness takes over, and I succumb to dubious choices. This night could have been just one more example of a life motivated by the fat charms of degenerate sex – but I resisted temptation.

Afterward, in the small hours of the morning I decided to walk around the immediate neighborhood to check out the nightlife. Of course Bangkok is livelier at 2 a.m. than at 2 p.m. – and most neighborhoods are a bit ambiguous regardless of time. I quickly surveyed the nocturnal landscape and turned back for headquarters.  As I passed a busy club, a dodgy Thai woman in her mid-30s blocked my path and made a bold inquiry about my appendage. She put her hand on my crotch and asked in slightly slurred English: “you have big cock?” I assumed that she was a crack addict, willing to suck cock for money, though I wasn’t entirely confident of the woman’s gender – not in Bangkok. Regardless, at my age I welcome sexual harassment from interesting people, but at 2 a.m. I wasn’t in the mood for a new acquaintance – and besides I didn’t have my magnifying glass with me to impress her.

Nearly a dozen hours later I took a taxi to Sukhumvit Soi 4, a flashy and seedy part of Bangkok about a mile from the hotel. Bangkok is an interesting mix of first-class and low-class, and sometimes the examples are side-by-side. This particular neighborhood features the notorious Nana Plaza, where anything goes and the going starts around 5 p.m. People barter and deal with each other on the streets for sexual favors and perhaps for the empty gestures of paid, yet lengthier company.  The legendary Miss Annie’s features hardened young prostitutes on display through a one-way mirror, primping and strutting for the buyers at this peculiar sex auction.

This all proved too crass, so I moved quietly along the sidewalk of the main thoroughfare among the more conventional crowds of people. Most seemed oppressively normal, escaping the drudgery of their ordinary jobs. A few blocks away, I stopped at an imitative Starbuck’s on a Sukhumvit side street and bought an inexpensive drink to salvage a rag of pride; it was time to rest and I wanted an outdoor seat to briefly watch street hustles one more time.  A coffin dodger stood close by with a small photo album of alluring prostitutes young enough to be his great-granddaughters. A friendly tut-tut driver also stood ready to lead willing victims to the neighborhood whorehouse; like sheep to slaughter and so many incorrigible human parasites jockeying for some trickle-down money. It seems that everyone in Bangkok has a perennially cash-strapped family in a remote village and this is the impetus for why so many people here sell themselves on the street.

As I disengaged from the sidewalk cafe, a peroxide princess sitting at a nearby table tried to strike a friendly conversation. A rough trade female companion, who looked like the daughter of Rosa Klebb (From Russia with Love – 1963) just sat down at the table and strongly exuded the L Word. The peroxide princess extended her hand and introduced herself by some phony name.  Allegedly, she was Russian and very glad to meet me.

“What is your name?” she asked.
“Mikhail,” I said. “Mikhail Mikhailovch Nabokov.”
“Ah, Misha,” she said, and smiled. “Would you like fuck me?”
“No, not really.”
“Misha, please. I do everything for you.”

And she offered a litany of standard suggestions, plus some amusingly perverted ones, as well.

“For only 1,500 baht ($50).”
“It is lovely to meet you, but I must be going.”
“Misha, let’s go now.  Where you staying? Close by I hope.”
“I really must go.  I’ll think about your offer.”
“Misha, please. Let’s go your place now.”
“Perhaps later.”
“I’m so horny, I can’t wait.”

Meanwhile, I noticed that her L Word friend had a face with a certain cadaverous grace and seemed bored by these lowlife shenanigans for quick cash.

We are only given one life and sometimes this is not enough, so it is necessary to multiply the possibilities through an overabundance of imagination, curiosity, and passion. In Bangkok, it seems that people roll from scene to scene, urged on by self-interest and desire, bumping against one another and building up steam to endure the lonely moments of life.

“Letting the days go by.
Let the water hold me down.
Once in a lifetime,
Water following underground.
Same as it ever was.
Same as it ever was.”

© Dancing at My Wake 2011-2012


Letter to Colette #5

April, 2012

 

Dear Colette:

Thank you for sending me the tributes to your husband, Donovan, offered by your immediate family at his recent funeral. I wish I had known him.

Letters that I generate during this period of your life are not meant to offer advice, insights – and certainly not wisdom. Yet you do not need sad-woe-is-me material, either – although it will likely read as such.  My apologies in advance.

A few years before I met you, I was enamored with the writing of Charles Bukowski (Post Office, Factotum, South of No North), a minor literary figure from Los Angeles.  His profile was on the rise in the early 1970s.  While still in college, I wrote Bukowski and asked: “What is your advice for an aspiring writer?”  Surprisingly, he replied: “Hell, I don’t have any advice. I still have trouble finding my way to the bathroom at night.”

And so it goes.

By nature I’m a crepe hanger. I really want to be an optimist.  It is a very appealing ideal, but then there is reality.

The shadow of sadness first appeared to me on Thursday, October 12, 1961, when my mother informed me that “we” were leaving my father.  There was no discussion, nor any elaboration. After 11 years of marriage, she had simply had enough.

My father was no Ward Cleaver, and he had difficulty holding a basic blue-collar job. There were some legitimate reasons, none of which my mother could accept. The fact that my father dropped out of high school during his freshman year in 1941 didn’t help (he enlisted in the Navy as soon as possible and shipped out for the Pacific during the early years of WWII). Regardless, my mother cancelled him like a bad TV show. Yet my mother was no June Cleaver, either. Also a high school dropout by 1944, her revolving door experiences with St. Louis mental hospitals did not enhance her credentials for stability.  My mother was always a major flake and the last time I saw her, she was in the mental ward of Malcolm Bliss Hospital.

The end of my parent’s marriage meant, of course, that I had to turn my back on friends, school, and the neighborhood. By Monday we had left our two-bedroom suburban home in St. Louis County to share a cramped one-bedroom apartment with my grandmother in Dogtown. I sat dutifully in Miss Derby’s fourth grade classroom at Dewey School, surrounded by people who were strangers. I didn’t ask for these changes, yet this was my first lesson in how little control there is sometimes in life.

A month later I turned 10-years-old.

For years the divorce of my parents was the crucial demarcation of my life. There would always be “before” and “after,” and the resulting consequence of “I am changed forever as a result.”

However, my son’s death is the demarcation for all time.  Of course I am not the same after Ryan died. This goes without saying. I am forever changed – and perhaps by design.  In the immediate days following my son’s death, a well-meaning acquaintance said of the circumstances: “You either become a better or a bitter person.”  Well, I now have insights that I don’t want … never wanted … don’t know what to do with. This disaster isn’t making me a better person.  How could it? However, there is a sense of freedom unknown to me before Ryan died.  It is simply: I don’t care.  I try not to exploit this attitude as a license to do as I please; that sort of consideration is better suited for existentialism and nihilism – and I’m not interested in philosophical justifications because … I don’t care.

Every morning I drive ruthlessly through traffic in this foreign city of 10 million people – “no prisoners,” as T.E. Lawrence exhorted the Arabs in July, 1917, during the campaign against the Ottoman Turks at Aqaba.  This is like running the gauntlet, and presents a demented challenge.  Who am I kidding? I like it. This is also tinged with a slight death wish.

My first funeral involved my Irish great-grandmother in April, 1957.  I was five-years-old, so I can’t say that I knew Colleen O’Keefe.  My connection to her is based solely on family stories and a few black-and-white snapshots of me standing next to her in front of our family residency in Dogtown. Allegedly, Colleen O’Keefe was a decent woman.  What I do remember about her death is a rather somber tone around the house and adult members of the family dressed formally for the funeral. Bad news was in the air.

Since that time I have lost count of funerals I have attended: for family, friends and acquaintances.  All I can say is it’s been too damn many.

Immediately after Ryan’s death, I was absolutely crazed with grief.  This did not give me license for inappropriate behavior, yet I couldn’t (and can’t) predict when despair might take the upper hand nor my response to such hopelessness.

As Ryan’s death has changed me, I’m not willing to take shit from anyone. The “better” person says: life is short; lighten up and be thankful for the important people in your life. The bitter person says: life is short; don’t waste time on assholes and douche bags.

As my mood vacillates, there are days when I can take Ryan’s death in stride and accept that I can’t change what happened; other times I can only think of escape from this unrelenting sorrow in any manner possible.

I can’t explain why I can let go, and why I can’t let go.

I can’t explain why I refuse to accept blame for my actions, and why I blame myself for circumstances beyond my control.

I can’t explain why I am proud, smug, and arrogant, and I can’t explain why I have such huge doubts and often embrace self-destruction to the point of masochism.

A colleague of mine buried his daughter late last spring.  She was one month younger than Ryan.

As I do not recite my litany of misery at work, this colleague had no idea that we were now part of the same dreadful club.

First, I do not understand people who introduce themselves like this:
“Hello, I’m Gordon Murphy and I have Attention Deficit Disorder, I’m Obsessive-Complusive, I’m an alcoholic and I vote Republican.”

What ever happened to pride, discretion, a sense of privacy, a reserved character?  Must everyone be a full-blown narcissist?

Although I did inform my colleague that my son had also died recently, I could not bring myself to say: “I know how you feel.”  I didn’t know how he felt.  I will never know how he feels.

My intent was simply to let my colleague know that – yes, I was distressed to learn of his loss … but to also say, when people at work tire of your grief (about a month after the funeral), feel free to unburden yourself to me.  But I have no advice to offer.  I can’t think of a sound reason for prolonging my life, except I do not want to hurt my wife any further – and, when it involves suicide, “conscience doth make cowards of us all.”

I am just an ordinary person.  The only accomplishment that meant anything to me was to be a good father.  I tried, but it all went to hell for reasons I will never understand. Subsequently, my life has been an exercise in futility.

For years I have read Oedipus Rex, the tragic king of Thebes who lacked obvious self-awareness. The truth is I’m stuck in a circle of hell where the sun is silent and there is no exit.  The cliché says that the truth shall set us free, but I’m not so sure that I deserve to be free.

The arrogance that I know anything of value frightens me.  I don’t consider putting out my eyes, like Oedipus, as a symbol of atonement.  Yet the fact that I live in a foreign city of 10 million people who speak a language I can’t comprehend is a genuine punishment that makes me nearly mute.  It’s as if I don’t really exist. I am the invisible man.  Every gesture of mine is an act of the damned.

The truth of these revelations does nothing to set me free.

© Dancing at My Wake 2011-2012

 


Letter to Beckett #6

March, 2012

Dear Beckett:

By late afternoon when I return to my apartment in Seoul, there is not always a lot to do.  Thirty years ago a weekday bachelor pad would have inspired some predictable mischief. A scandalous affair with a married Korean woman would have been an interesting diversion from impersonating a faithful employee. But now priorities have changed. I’m happily married, certain hormones have simmered down and my pursuits are strictly mundane.

Since the Korean landlady picks up the tab for WiFi and cable TV, I do have some outlets for amusement.  Not surprisingly, though, most of the cable programs are Korean – with a few channels dedicated to bad American TV … like the monotonous David Caruso taking off his sunglasses to make smugs remark in CSI: Miami.  For many of us pretending to be expatriates, Amazon.com is a vital link to the home culture – and I easily have a $50 a-month habit for select books and DVDs.

A few months ago I acquired all three seasons (94 episodes) of Steve McQueen’s Wanted Dead or Alive. I used to watch the series in prime time on Saturday evenings during the late 1950s.  Obviously, my perspective is different now. The first episode features Nick Adams and Michael Landon as two scum-bag brothers. Later in the series there are brief appearances by William Schallart (three times), Martin Landau, Mary Tyler Moore, Cloris Leachman and James Best. Schallart, of course, is better known for his father-knows-best version as Martin Lane in The Patty Duke Show. The list is even longer of struggling actors who didn’t make it to the next level.

Part of the fun of watching an old TV series is taking note of established character actors, and up-and-coming actors.  In the McQueen series there’s Edgar Buchanan as the grizzled codger – the sidekick tradition that dates to William Boyd and Gabby Hayes.  As an aside: I always find an excuse to watch Blazing Saddles. Who can forget the Gabby Johnson parody? In Wanted Dead or Alive, there is also Ray Teal as a sheriff – who goes on to play Sheriff Roy Coffee in Bonanza – wearing the same outfit, more or less. But James Coburn and Warren Oates are the most fun to watch with McQueen. Each actor appears three times in the series, sometimes twice in the same season.  While Coburn is always interesting and has that wonderfully distinguished voice, Oates always projects that he just doesn’t give a fuck and might do anything at any time.

Because access to American TV is spotty living overseas, the easy recourse is to buy a series and burn through it over a weekend or two.  I can’t imagine watching Keifer Sutherland as Jack Bauer cap a few people in weekly episodes of 24. I would lose track of the plot too easily. After a bad week, it makes sense to settle down with the remote control and enjoy the entire season, in back-to-back episodes.

For where our house is located in the countryside, if we want a new American TV series, we drive to the Red Stairs.  On the second floor are several tables with catalogues of pirated American fare.  The place is always full of Americans. An entire TV series costs $10; no big deal – and the quality is first rate because everything is taped straight from the source. Fill out a piece of paper, hand it to the Korean behind the counter who steps into a back room and quickly emerges with your choice. What’s not to like?

Lately, I have been drawn to Justified – primarily because of Elmore Leonard’s imprint on the series.  The dialogue is perfect.  Timothy Olyphant is good – just as he was in Deadwood (although Ian McShane was brilliant), but the actor I like best in Justified is Walton Goggins – formerly of The Shield.  He reminds me of a young Warren Oates.

After a while it seem relevant to acquire a box set of a particular actor or genre. Years ago I acquired a Steve McQueen collection featuring The Getaway, the Cincinnati Kid and Tom Horn – to name a few. The Getaway, with Walter Hill’s screenplay, is near perfect.  Alex Baldwin as Doc McCoy in Walter Hill’s directed version just doesn’t cut it. Baldwin always overacts.  McQueen knows the power of understatement like a zen master. The original cast is also near perfect. Michael Madsen was good as “Rudy Travis,” but Al Lettieri was better as “Rudy Butler.”  I have to have my fix of the Peckinpah film about every six months. As for the Cincinnati Kid – just the fact that Terry Southern had a part in the screenplay is reason enough to give the film a special status.

But lately I have moved on to Clint Eastwood in both the Dirty Harry series (which are fine until Eastwood brings in Sondra Locke for Sudden Impact … it’s not simply that she can’t act, the plot is too politically correct and Callahan is tiresome … The Drowning Pool doesn’t even make the cut for a packaged series) and the Spaghetti westerns with Sergio Leone (although Ted Post’s Hang ‘Em High is very good).  An appealing feature of today’s DVDs is the backstory.  If one watches both The Cincinnati Kid and the original The Thomas Crown Affair, Norman Jewison provides fascinating commentary about all facets of production.  For Sergio Leone’s For A Few Dollars More (1965) the commentator says that Leone met with Sam Peckinpah in London about directing the film.  Allegedly, Leone only wanted to produce the project.  But – obviously things didn’t pan out between Leone and Peckinpah.  In For A Few Dollars More, there’s a great barroom scene when Lee Van Cleef antagonizes the wonderfully psychopathic Klaus Kinski, who goes through some troubling facial contortions – with very little dialogue.  This reminds me of Bo Hopkins in the railway office of The Wild Bunch just before he starts shooting the staff.

A few days ago I picked up the biography of Steve McQueen by Marshall Terrill. Last summer I could not put down Life by Keith Richards. Next up I need to read Dylan’s Chronicles.  The biography of Bruce Chatwin, a British travel writer (In Patagonia) who died in 1989, is also worthy of consideration.  Otherwise, I seem to go between Anthony Burgess and W.G. Sebald for literary sustenance.

*     *     *

I have not been to the United States since July, 2010 and there are no plans to return any time soon.

Perhaps during July, we stayed around Oklahoma for a week or 10 days.  But then we left the country for Quito, Ecuador and a seven-day cruise in the Galapagos Islands.  Afterwards, we returned to Quito long enough for a connecting flight to Lima, Peru and a few days in Cuzco for a train trip to Machu Picchu. This was one of those “once-in-a-lifetime” vacations.

For the return trip, we began our day in Lima on Thursday, stayed overnight in Panama City, Panama and on Friday arrived in Tulsa via Houston, and met Lexi’s parents … went out for dinner near Woodlands Mall … hit the airport Saturday morning for the flight to Seoul, which put us in Korea by Sunday.  So, three continents in three days. It was rugged.

Relative to the United States, there is no strong pull anymore.  The important people in my immediate family are dead.  I am the last one standing.  I am neither in favor or opposed to the current American political scene.  I have lived outside the country for 10 years now, and don’t quite know what to make of things, anymore.

Lexi is concerned about where we should call it quits. Presently, we do not own property anywhere. I guess this doesn’t bother me much – because who would benefit from our possessions once we kick it?

Meanwhile we keep on the move. Why not?

Sheridan

© Dancing at My Wake 2011-2012


Letter to Beckett #5

February, 2012

 

Dear Beckett:

During early summer, 1974, when Nixon’s untenable presidency made for great TV drama, I lapsed long enough to visit the Left Bank Bookstore near Washington University in St. Louis. To this day, I’m impressionable enough that I’m drawn to bookstores like a religious contemplate, hopeful that I might encounter a new writer who provides a truth I can use for salvation. I don’t expect a Damascene moment, but a small epiphany will do nicely.  That particular day is when I encountered the works of Bukowski.  And for my personality at the time (age 22), he was the right medicine.

These days, there is a small-framed area near each classroom door for teachers to post a photo of themselves.  Are you fucking kidding me?  Most of my colleagues are low-key malcontents; that is why we all ran away from home to join the present circus. Currently, my slot is blank – which signifies a certain message, though it’s nothing more deliberate than congenital laziness.  Yet during my time in xx, I had an image of Bukowski in my slot.  College students, being impressively self-absorbed, hardly questioned my choice.  One or two students over the course of a year might have inquired about the image and, of course, my answer always depended on my mood.  Some times I said: “he’s my father,” or “that’s what I looked like before rehab.”

Right after we moved to this present country in the summer, 2010, Lexi had a big-damn-deal conference in Los Angeles. So we stayed for a week at a posh hotel in the downtown area. Allegedly, the conference cost $2 million and this included airfare, shuttle fees, hotel rooms, overpriced food, and pep-talk specialists.

Since I don’t run with her crowd, this left me free all day.  I had no interest in a $25 bus ride through Beverly Hills to see where overpaid actors lead lives of refined debauchery.  Our hotel was really just two blocks from the Los Angeles Public Library – and a half-mile from the Mission District. I was in the heart of Bukowski country.

One morning an obese man and his undersized wife sat across from me on the #18 bus as we headed toward Skid Row on South Central Avenue. A Chicago Cubs hat perched precariously on his baldhead.  He spoke to no one in particular about the present state of baseball in America. The fat man’s wife remained listless and unresponsive as any longtime couple.  I have to admit that he circled around the issue of baseball like a deranged vulture, skirting it with an excess of repetition, obscenity and slang. This was colored by spasms, fantasy, rage, and frustration.

For some reason, this reminded me of Tom Clarke’s Champagne and Baloney, a book you once passed my way and I read cover-to-cover.

That morning I left the bus around East Sixth and San Julian, the beginning of classic Skid Row Territory, which features block after block of dejected, depressed and entirely down-and-out homeless people.  In the absence of obvious hope, they cling erratically to rickety shopping carts stuffed with squalid rags and filthy shreds of cardboard that serve as pillows and makeshift housing. There was a block-long line of people waiting to acquire a slim sytrofoam container of shit-inducing food for the day, and this included wheelchair bound folks.  For pure absurdity, a sound system played War’s anti-conflict ditty, Why Can’t We be Friends.  I had not seen images like this since the classic FSA photos of Walker Evans, Dorothea Lange and Arthur Rothstein.

It’s impossible to pass through this neighborhood in broad daylight without being overwhelmed by pure human stench; fresh piss stains drain down brick walls in the alleys and tattoo the ground surface; wheel-chair bound couples cling to each other even when it’s obvious they have not bathed in days if not weeks; others – usually men, walk aimlessly through the streets raging about dreams gone bad, the lack of dreams, or an incurably frivolous God who only answers with this version of Dante’s hell on earth.

The perversity of this is a group of well-educated professionals gathered in the hotel bar at the end of the work day to congratulate themselves on screwing the system, pocketing obscene salaries and advancing counterfeit entitlements while the very system teeters toward ruin.

I’m sure Bukowski was a shrewd publicist and deliberately cultivated the image of the poet laureate of Skid Row, as he banked away sizeable amounts of money.  His estate is still cranking out titles and I recently bought a collection of his early letters just because of the title: Screams from the Balcony.  I love that phrase.

All of us embrace certain self-myths just to keep from going crazier, a way to dodge the darkness and make our way toward some of the light.  It makes sense that artists strike a pose.  Some can juggle this with deftness; others are buried by the charade.  I miss Hunter S. Thompson, who painted himself into a pointless corner with his gonzo façade. Who can ever match his scorched-earth approach to the absurdity of the American presidential campaign circus?  I could never read Theodore White’s political journalism afterward. I’d rather suck dogshit through a straw than read that inferior material.

I have a special fondness for William S. Burroughs because he’s a St. Louis boy.  Of the big three from the Beat Movement: Burroughs, Ginsberg and Kerouac … the conservative junkie will probably have the most lasting impact because of his unflinching honesty rendered so often in elegantly intelligent satire – not to mention new words he coined. Naked Lunch sets Burroughs apart from Ginsberg and Kerouac, and everyone else – in some cases by light years. For at least 50 years, American high school students have been introduced to Swift’s A Modest Proposal as the modern standard of political satire.  Perhaps some day, at the Advance Placement level, a serious excerpt of Naked Lunch will be required reading. Over time, Kerouac will only be remembered for On the Road, and Ginsberg’s fame will rest on Howl (especially the opening lines) and maybe A Supermarket in California.

When I was impersonating a college student, I lived on McPherson Avenue in the Central West End, about three blocks from Pershing Avenue (named Berlin Avenue until 1917), where Burroughs began his life.  The family left the city for the suburbs and settled on Price Road in a neighborhood that is still considered very posh.  To say that I drove past the Burroughs residence hundreds of times is not hyperbole.  I just didn’t grasp the significance of the Beat writers during high school in the late 1960s.  The jury was still out on their contribution to literature.

Down the road from where William Burroughs lived during adolescence was the John Burroughs School – no relation to the Burroughs Adding Machine family.  This school was founded by Dr. Gellhorn, who also lived on McPherson Avenue in the 1920s – when William Burroughs still resided in the city on nearby Pershing Avenue.

Dr. Gellhorn started the John Burroughs school (named for the American naturalist) on behalf of his son and daughter.  The daughter, Martha Gellhorn, went onto marry Hemingway in the late 1930s and was his third wife …. the first three all from St. Louis.

Martha Gellhorn never established herself as a successful novelist, but she was an extraordinary journalist, who lived most of her post-Hemingway life (the couple divorced within four years) in Kenya and London.  She died at age 89.

I don’t think one can accuse Burroughs of being a shrewd publicist; that distinction goes deservedly to James Grauerholz, who still deals with the estate. How else can one explain Burroughs coming in off the exotic world travel routine and living out his days in Lawrence, Kansas? Yet Burroughs didn’t need a publicist so much as a secretary. He always seemed unapologetically authentic: homosexual, junkie, and if not a Republican – then certainly someone opposed to Roosevelt and New Deal politics. In January, 1982 – right before I edged on down the highway to Oklahoma, Burroughs appeared at the end of Saturday Night Live for a reading from Naked Lunch. The clip is on YouTube, like just about everything else these days. At the time, Burroughs was positively riveting.  Of course I had smoked a joint when I immediately wrote Burroughs some goofy letter of endorsement (“loved your performance” … that sort of drivel), and sent it to his publisher.  Not long after I landed in Ponca City, Burroughs responded with a postcard that he scrawled while passing through the Kansas City airport.  I was floored … and, of course I have no idea where to find the postcard, anymore. I used it as a bookmark for a long time. Many years later I attempted to contact Burroughs again – in Lawrence, for the excuse of writing a feature. But I’m sure Grauerholz screened those requests very carefully, and I didn’t make the cut.

 

Sheridan

© Dancing at My Wake 2011-2012

 

 

 


Driving Me Lonely

“Writing is like taking drugs, you start purely for pleasure and end up
organizing your life around this like the vice of an addict.
– Antonio Lobo Antunes

 

Fiction is the best way of telling the truth.  I have lately lost all my mirth and so confess that I’m infected with a profound destitution of spirit and inhabit a house in ruins. My conversations with the departed are more meaningful than many people I encounter in my Finnegan’s waking world. The road beneath my feet is covered with the shadow of a sacred heart, a dead son who makes me weep until I have nothing left because his death is the most lacerating experience of my life. A child is irreplaceable, but to the nagging question ‘Why him?’ the cosmos never bothers to return a reply.

The intellect dreams of its dream of absolute freedom, yet the soul knows of its terrible bondage.

Now my evening is in full decline, and I’ve become a sad and inarticulate wretch, competing for kinship with the great, misunderstood outsiders of the past: Baudelaire and Rimbaud, Voltaire and Dostoevsky. Some times I’m inhabited by intuitions that are not clear to me, and I plead with midnight to draw its mantle over my impoverished heart. Yet my petition goes unanswered and I arise every morning with a broken feeling, like my world has died Hiroshima style. These days I move neither fast nor slow; I am just another Old Black Joe, nibbling at the bait with other cloud chasers.  “Yessir, massa.  You right, boss.” And so I am borne back ceaselessly into a role I didn’t ask to play. Ever since I made my blood-smeared escape from the womb, I’ve been trying to understand the reason for existence. My odyssey started six decades ago, and I’m still on the fly.

Forgive me, but it’s difficult to collect my wits. The tendency for digression is magnified more wildly than ever before. Perhaps in this time of vain reflections and melancholy brooding, it’s appropriate to review the desires, agonies, small triumphs and all the varieties of betrayal that inform my character after so many years. Recently I turned 60, and I’m both stunned and blasé about the fact; stunned because I have not gained any useful insights for all my time on this mortal coil; blasé because despite well-intentioned efforts, I seem to have little control over my life. The best dreams I had for the people that I loved most have turned to nightmare, like a stumbling retreat across the annihilating winter wastes of Russia.

The only constant in my life remains the self-indulgence of writing.  The contemporary Portuguese writer Antonio Lobo Antunes is correct: the pursuit of writing is no different than the vice of any addict.  The escapism is important, but the ritual of organizing the effort is even more significant.  In my early 40s, during a brief flirtation with Catholicism to assuage fear, doom and guilt, I watched with fascination as the priest laid everything carefully on the tabernacle for the sacrament of communion.  Shaman, surgeon, carpenter, drug addict – one way or another, we try to impose order on the chaos of life through rituals.

These days I write to examine the impermanency of life and the desolation this has brought me. There are those deceitful times when a modicum of control seems possible. But this is like long lulling bouts of tedium before being devastated, wrecked and humbled by a crucial chair kicked out beneath me and the raw truth that everything is a mere fluke, starting with conception.  Samuel Beckett, the second great Irish literary émigré of the 20th century concludes his classic stream-of-consciousness novel The Unnamable with “I can’t go on, I’ll go on.”

Like James Joyce who preceded him out of Ireland, Beckett gravitated to Paris, the cultural capital for expatriates in the first quarter of the 20th century. Beckett, born in 1906 – two years after Joyce left Ireland for good (and the same year my grandfather Sheridan also left the Emerald Isle for America) – worked for the great man as a secretary in the mid-1920s.  Joyce’s daughter, Lucia, became wildly smitten with Beckett before she gradually succumbed to schizophrenia and lived out her days in various asylums. She died at age 75. This scenario is similar to Victor Hugo’s daughter, Adele, who went loony for an uninterested British officer and followed him to Nova Scotia – disoriented, her clothes torn, and babbling pure twaddle. Hugo placed his daughter in a Paris asylum, where she died at age 85.

“I can’t go on, I’ll go on.” By the end of my 20s I had abandoned neurotic introspection and simply accepted that I was flawed and full of contradictions.  This didn’t mean that I no longer considered the mysteries of life, I just embraced the second half of Beckett’s invocation: “I’ll go on.”  Why not?  Now, with the events of the past few years, I have returned to the first half of Beckett’s statement. Yet “conscience does make cowards of us all.”  And I am still here, which implies that “I’ll go on.”  But I don’t know why.

When I hit the newest mark in my chronology, I asked my wife: “how did I make it this far?”
“You got lucky,” Lexi said.

I knew that she was being sarcastic. At least this is what I tell myself.

*     *     *

When you died, I was deep in the hell of my innocence.  A week before my Fall, I thought I had finally achieved a version of paradise.  Yet the joy in this world seldom lasts.  Married to Lexi McCall for more than a quarter century, we had only you as our child for nearly 7,950 days – and each one was a grand payoff.  We enjoyed careers, finally had a generous amount of money and traveled the world strictly for leisure. Could life be any better?  And then this all vanished overnight, like a cruel joke played by a capricious deity.  The news of your death was an extraordinary slash of a whip full in the face.

O Prometheus, Prometheus! wherefore art thou Prometheus?  No one can save you now, not even Hercules.

Your death is the worst disaster in my life, and it has thrown me into an inconceivable inner turmoil, which is like a dark shadow crossing my soul every second of the day.

If you could see me now, I am a poor imitation of a man who gives a damn. I live in pretense of being an expatriate in a foreign country, on the 15th floor of a four-bedroom apartment in a modern high rise overlooking the city’s main river. Across the bank is the south side of this 10 million-plus bustling city with a dazzling nightscape that tries to match Shanghai and Tokyo.  But this means nothing; less than nothing, really.  I could reside in the penthouse of the Burj al-Arab in Dubai, overlooking the beautiful Jumeirah beach, and nothing is changed.  I may as well gaze across the paleness of an empty horizon. Despite intent, I’ve become a connoisseur of isolation, living in the dusk of a melancholy punctuated by theatrical silences. You are gone from my life, and my heart beats a loud tattoo, the drum-call announcing that I have capitulated like the cities of Central Asia in the wake of Genghis Khan and the Mongol armies. No one recognizes me as I walk the streets because my face conforms to every mask possible to hide the tears that will not cry. No one knows how I feel grotesquely contorted because I don’t understand how a heavenly Father laughingly strews death in the twinkling of an eye.  God is the worst tyrant in history.

Night offers no peace from the torments of your absence, and sirens, bells, and a hundred-and-one cannon shots may unleash daybreak for me – yet I continue to struggle with incomprehension and bitterness. From the depth of my soul, I smiled at you lovingly every day. Your life was an achingly beautiful gift. Why did you leave me?  Now I am no different than a shattered contemplate in a Carthusian monastery, beating at the door of a small cell, rolling on the floor, shivering, shrieking mad with pure agony. Dangerous dreams swarm promiscuously through my vacant blue eyes, hollowed by the four winds in ferocious flight. There is no freedom from my anguished memories. I am finished and forever fucked.  It’s all over now, bon ami. Hand me my crown of thorns and unchain this broken heart.

If I could see you now, this would be my Damascene moment and, like Saul of Tarsus, I would know lasting peace. I would stop listening to Hurt, that beautiful and haunted version by Johnny Cash about broken thoughts that cannot be repaired. I would stop dressing in black and instantly disavow my nihilism in exchange for your reappearance.  I would stop riding through Calvary Cemetery in St. Louis at night in a black carriage drawn by a black horse, circling the small field of Sheridan’s who declined so quietly that by the end what should be tragedy has become only memory. I do not want to see you there, sleeping the churchyard sleep, nor place flowers on your simple flatstone.  Yet in mourning for you, I am vertiginous, as motionless and silent as branches, slowly mixing fragments of the imagination with memories of distant times. I’m overwhelmed with delirium at the very act of taking in all the confusion that surrounds me. I’ve abandoned the human duty of thinking for myself and I’ve drifted, as to the depths of an ocean.

Resurrect yourself and I will say a thousand novenas.

Hail Mary,
quite contrary.
Hallelujah,
what’s it to you?

Make my conversion a reality and I will stop dancing at my wake.  I do not look to God, that demented deity who debauches man.  I look only to you.  I am so tired of leading a double life; outwardly charming and funny, a bon vivant and polemicist sans pareil; inwardly a palpable fraud, ready to anaesthetize the pain of living with the enthusiasm of a Mick quaffing his daily Guinness. People may think that the breeze of imbecility has touched me, but this is just a cry of pain on paper. I am a sad and secret creature like Roderick Usher, a hostage of bad dreams lighter than thought. I need a magic potion to diminish my vulnerability. Lead us not into temptation, but deliver us from Mozart’s Requiem … dies irae, dies illa, solvet saeclum in favilla … because you always offered the coolness of a gentle morning wind, and maybe this dreadful nightmare will soon go away. I call your name so crystal clear. Yet you can’t hear me because I’m caught by the river and can’t reach shore. There are so few words to express this condition. No one can save me now, not even William Blake and the Sisters of Mercy. Meet me down by the water.  Meet me at the end of the world.  Let’s walk down the Champs-Élysées in spring, past the clipped horse-chestnut trees.  Let’s walk in grand style and forget all the rest. You know what I’m talking about. My heart is ready to fly away. Without a history I do not exist, and you were my history. That’s how it goes.

© Dancing at My Wake 2011-2012

 

 

 


South of Nowhere

Dear Leslie:

Writing is a way of speaking without being interrupted.  Let me say that I’m sorry to hear about the death of David’s father. Even if we anticipate these circumstances, it never lessens our sense of loss and, of course, this always serves as a vivid reminder of our own mortality.

I happen to notice the recent obituary in The Evening News, a paper that I haven’t bothered with in 12 years. The fact that William Mugford still churns out such insipid material as publisher is reason enough not to waste my time.

Nearly three decades ago, when I was still knocking around Montana and New Mexico in a white Datsun pickup truck with a faithful beagle as my companion, I stumbled into River City, Oklahoma on my way back to the Rocky Mountains.  As usual I lived on the edge with a nearly depleted bank account, no prospects and little ambition. I was already 30-years-old, and south of nowhere.

I drove straight from St. Louis on a Saturday morning to meet with Neil Mugford about a position as the newspaper’s photographer.  I had never been through Oklahoma, and my only sense of the place was based on The Grapes of Wrath by John Steinbeck and the indelible images of classic Dust Bowl photographs from the mid-1930s by Dorothea Lange and Arthur Rothstein. I thought Oklahoma was a Dead Museum.

Once I passed White Horse and encountered the full display of the local oil refinery leading to Shaw’s Market on Easton Avenue, I really wanted to return to St. Louis immediately.  Once I walked into the newsroom on Twelfth Street and saw Max Parker – bedraggled, fairly toothless, and reeking of second, third and fourth-hand smoke – I really wanted to get the hell out of town.  I had already worked for four small-town newspapers, where many colleagues – especially the editors and publishers, were full-blown alcoholics and even kept whiskey bottles in their desks.  Max looked instantly familiar.  [To his credit, even though Max looked like a derelict almost every day, he was a very decent person, quite intelligent and never said anything unkind about anyone.].

Yet I stuck around to talk with publisher Neil Mugford, one of the most interesting characters I’ve encountered. Mugford took notice of me because his current photographer, Jennifer Karan, was already seven-months pregnant with twins and intended to remain home after her delivery. Perhaps more importantly, it was because I had sent him black and white images of a leggy young woman from a photo essay on a Montana truck stop near Laurel … and because I was from St. Louis, where Mugford lived briefly in his 20s and married the first of his three wives.  In retrospect, the photos of the leggy young woman clinched the deal.  Although I was only around Mugford for another 18 months before he died, I approached him at his desk in the newsroom several times and he quickly shut his top drawer because he was scanning a sleazy lingerie catalogue.  Even at age 72, he appreciated the young female figure – which is a kinder way of saying he was a filthy degenerate.

There were also stories of how Neil Mugford and J.R. Lawler both sponsored the college education of an attractive young woman and, if they both played the part of Henry Higgins to her Eliza Doolittle in a half-baked version of My Fair Lady, they apparently had designs for some sexual recreation with her. Lawler approached Mugford in his office with a cane, as if he was going to beat him Andrew Jackson-style for his salacious intents, and the publisher pulled out his loaded .45 – the one he packed with him every week, when he made the three-block walk from Fairfield Bank with the entire newspaper payroll in cash.  Obviously, the two men didn’t take the argument to the brink, but this only reminded me that I had entered the twilight zone when I signed on with the newspaper.

Of course I stayed in River City … for 18 years.  I met Lexi McCall in late May, and we married six months later.

While I was never impressed with Oklahoma and can’t fathom returning there to end my days, I do have some pleasant memories. Unhappy families are all alike; every fucked-up family is auditioning for the Jerry Springer Show. My in-laws were just regular unhappy people on occasion. Yet they have managed to remain married for 60 years, an impressive accomplishment in the modern era, and I’m grateful that my son experienced one intact set of grandparents. They were wonderful to him.  My own parents were kaput as a couple before the Kennedy assassination, they both fell by the wayside. Because of a Charles Dickens-inspired childhood, once I became a parent I wanted to be the father I never experienced.  So I absolutely loved taking Ryan to school every day, and picking him up every afternoon during those formative years at St. Teresa’s.

Perhaps the fondest of all memories during my life in River City was my association with David.  I will always cherish those afternoons outside St. Teresa’s as we both waited for Ryan and Justin to emerge from either school or scouts.  I always admired David’s willingness to dedicate time as a coach for both basketball and baseball.  He was always so patient, tolerant and fair.  David was just a great role model for those boys, and consistently demonstrated that the approach of fathers like Warren Shaw and Lance Cookson were largely self-serving and paid no lasting dividends.

I appreciated many of the links through St. Teresa’s.  Religion has no serious part in my life, but I thought it was important for Ryan to have exposure to a community-based set of morals.  Family values are always the foundation, but it’s instructive to know how to connect this to a larger culture.

While I can say that I’m a cradle Catholic – baptized two months after birth, I was raised in the Protestant faith, as my mother sampled various franchises on her spiritual quest: Methodist, Presbyterian and lastly: Christian Science (which is just as wacky as the Mormons).  We decided to send Ryan to St. Teresa’s. Despite all the criticism the Catholic Church deserves on some issues, it is rock solid on education and immune to fads. I acquainted myself with the Irish-Catholic side of my family.  I’m not sorry I did this – but, after a while, human behavior is the same everywhere and members of the St. Teresa’s parish were no different. To state the obvious, there were good people in the mix, and there were some champion fools.  At the risk of being unkind – though with age comes privilege, and one privilege I enjoy is the ability to be candid – the two people I had the most trouble with were Karen Thomas and June Donahue.  I knew Cameron Thomas long before Todd was born, and I liked him immediately.  He was around the newsroom frequently because of his initial ties to the YMCA.  When Todd was born, I can’t recall a man so proud.  Cameron almost did double-back flips as he handed out cigars for the occasion.  And then a few years later Karen went on a business trip with George, her co-worker at the oil refinery, and that spelled the end of the marriage.  Yes, people are flawed and make mistakes.  I’m no angel, either.  While Karen may not deserve to have worn the scarlet letter, she remains a cold bitch who loves to instigate problems for the perverse pleasure of creating trouble.  I can’t forget what she did to Mary Visos, and how she helped destroy her career.

As for June Donahue, she was even more self-serving than Karen Thomas.  I’m not sure why her husband Matt has tolerated her all these years; she’s certainly no trophy wife.  Yet maybe he’s just as empty and vapid as his spouse.

Shortly after the end of SY 93-94 at St. Teresa’s, the Schwab family left River City; they had a daughter in class with Ryan and Justin.  Carl Schwab enjoyed a moderately high-profile with the oil company, and spearheaded the United Way Campaign that year.

Allegedly, Matt returned home one day unexpectedly and found Carl in the master bedroom wearing only a necktie.  His hard appendage was planted firmly in June’s mouth.  Apparently, Matt was not amused.  He agreed not to divorce his wayward wife if she converted to Catholicism, which seemed a bit like the Inquisition.

Again, people use poor judgment all the time, and there was no reason for June to have worn the scarlet letter.  But she remained rather smug for a married woman caught by her husband murmuring slut lullabies to her necktie lover.

Years later I appreciated that Karen attended Ryan’s memorial service.  That is an extremely uncomfortable situation because no one knows what to say, and there is really nothing to say.  But a gesture of kindness, sympathy, solidarity – whatever adjective comes to mind, is a source of momentary comfort to the survivor(s).  That Matt and June Donahue made no acknowledgement of our tragedy was hardly surprising.  We were never friends because we could do nothing to advance their agendas. Yet our lives had once intersected for years, a long time ago.  Everything is a long time ago.  Everything goes.

This is to say that I had become disenchanted with the St. Teresa’s crowd long ago, just as I have with other groups, other people. Most everyone is ill-equipped to deal with the savage loneliness of life, and the hell inside each of us. What I’ve learned over time is that it makes sense to see the many, incongruent materials of everyday life as a highly organized nightmare.  Cool determination is the only way to survive disillusionment, tarnished memories, dull needles, the silence of photos, the ruins of this house.


Journalism 101

The newspaper publisher who hired me directly from Journalism School enjoyed impersonal bouts of sodomy with other men.  At first I didn’t know what to think.

After college I decided to stop prolonging my adolescence.  There was also a mountain of student loans to re-pay.  For a variety of reasons it was time to develop my career as a groundbreaking journalist. I wanted to ventriloquize the voices of the damned.  There was no chance of working for the St. Louis Post-Dispatch without impressive social connections. The only people who could speak on my behalf were douche bags. The truth is I wanted to distance myself from acquaintances that enjoyed an intravenous landscape on the weekends. I also needed money badly.  It was time to leave St. Louis and old twilights that were my constant shadow.

Scott Remington offered me an escape as an entry-level reporter for his daily paper in south-central Montana.  I had never experienced Big Sky Country. We made the deal over the telephone and I packed to leave immediately.  I felt like I had joined the French Foreign Legion without the esprit de corps.

Driving across Missouri with all receding in the rearview mirror, I left behind everyone important in my life.  There was no looking back.  My longtime girlfriend had made me feel like a fly trapped in a blot of ink. I martyred our relationship so I could flee the moral recklessness of my early 20s.

The first time I met the Montana publisher he inspired easy comparisons to men drawn to the Upper Yellowstone River who fly-fish more to emulate Hemingway than for the trout.  This judgment about Remington proved misleading.  He was more than I imagined.

Despite a certain proclivity Remington didn’t advertise any affinity with the Broke Back Mountain club. He was tall, raw-boned and authentically Western looking. At 45, he had the face of a man who stoically endured hardships quietly and heroically declined to reply in kind. He belonged with Thomas McGuane and Jim Harrison, Montana writers who knew where their moral compass pointed yet didn’t always toe the line. I liked Remington and enjoyed his contradictions, but I wasn’t interested in being like him.

Remington married the patrician Paige Matthews, a slim, immaculately coiffed woman with bright blue eyes who was occasionally unfaithful with hired hands.  He was as blasé about her indiscretions as she was about his waywardness. The Remington’s saw no point in divorce and used Franklin and Eleanor as a template for modern marriage.

Remington was also the father of Kelsey, a lovely degenerate college-age daughter with defenseless thighs.  She was popular around Billings in hotel rooms with tattered curtains.  It’s true that Remington had a few issues, and perhaps that is why he had a steadfast enthusiasm for alcohol.  Like any addict, he had about him the air of elsewhere, that he was looking through you to somewhere else he’d rather be. And of course he was.

In fact, Remington, who prided himself as a first-rate writer, held the lower-case romantic notion that alcohol made his prose better and other people less dull.  As a functioning alcoholic he wanted to be delightfully eccentric and equal such illustrious boozehound writers as:
Kingsley Amis
Brendan Behan
Charles Bukowski
Anthony Burgess
Truman Capote
Raymond Carver
John Cheever
William Faulkner
F. Scott Fitzgerald
Patrick Hamilton
Ernest Hemingway
Christopher Hitchens
Stephen King
Philip Larkin
Elmore Leonard
Malcolm Lowry
John O’Hara
Dylan Thomas

Evenings after work Remington often guided me across the street to the Elk’s Lodge to hold court at the unofficial press club.  I’m not sure I learned much about journalism from him, but I heard a lot of provocative stories about his quirky personal life.  This is when I also learned that I could not keep pace with Remington’s passion for the grape and the grain, nor did I care to compete with him.  At age 26, the days of unabashed drinking were already history for me. Yet over the course of several months I saw Remington become:
absent-mindedly drunk
absolutely drunk
absurdly drunk
accidentally drunk
accursedly drunk
admirably drunk
appallingly drunk
annoyingly drunk
apologetically drunk
arrogantly drunk
artfully drunk
assiduously drunk
assuredly drunk
astonishingly drunk
bastardly drunk
bitterly drunk
blessedly drunk
boisterously drunk
boringly drunk
brazenly drunk
breezily drunk
brutally drunk
capriciously drunk
carelessly drunk
casually drunk
cautiously drunk
completely drunk
confusedly drunk
cordially drunk
decidedly drunk
deeply drunk
deftly drunk
deliberately drunk
delicately drunk
deliciously drunk
deliriously drunk
dementedly drunk
diligently drunk
disastrously drunk
disconcertedly drunk
disgustingly drunk
ecstatically drunk
elegantly drunk
endlessly drunk
essentially drunk
excessively drunk
excruciatingly drunk
exquisitely drunk
extravagantly drunk
fashionably drunk
fearfully drunk
fiercely drunk
foolishly drunk
forgetfully drunk
frenziedly drunk
frighteningly drunk
frustratingly drunk
ghastly drunk
gleefully drunk
grotesquely drunk
haphazardly drunk
heartily drunk
hellaciously drunk
hideously drunk
hilariously drunk
hopelessly drunk
horribly drunk
imperceptibly drunk
imperiously drunk
impertinently drunk
incapably drunk
increasingly drunk
incredibly drunk
indecently drunk
indescribably drunk
indifferently drunk
indulgently drunk
infuriatingly drunk
inordinately drunk
inscrutably drunk
irascibly drunk
irrefutably drunk
irreverently drunk
irrevocably drunk
irritatingly drunk
light-heartedly drunk
lovingly drunk
maliciously drunk
massively drunk
mercilessly drunk
meticulously drunk
nauseatingly drunk
nervously drunk
noticeably drunk
notoriously drunk
obscenely drunk
off-handedly drunk
ostentatiously drunk
painfully drunk
paradoxically drunk
pathetically drunk
petulantly drunk
pleasantly drunk
poetically drunk
pompously drunk
profoundly drunk
promiscuously drunk
rapidly drunk
recklessly drunk
religiously drunk
revoltingly drunk
repugnantly drunk
ridiculously drunk
ruefully drunk
ruthlessly drunk
sarcastically drunk
scandalously drunk
secretly drunk
selfishly drunk
sentimentally drunk
sickeningly drunk
sightlessly drunk
slowly drunk
smugly drunk
spiritually drunk
strangely drunk
stupidly drunk
suddenly drunk
sumptuously drunk
superbly drunk
surreptitiously drunk
thoroughly drunk
tormentedly drunk
tragically drunk
treacherously drunk
uncertainly drunk
undeniably drunk
unequivocally drunk
unpardonably drunk
unwisely drunk
uproariously drunk
voraciously drunk
vulgarly drunk
wearily drunk
weirdly drunk
whimsically drunk
wildly drunk
wretchedly drunk

This marked the start of my apprenticeship as a journalist, a time when I learned there was no distinction between bankers, whores and clapping midgets.  I lingered in this world longer than necessary because I forgot my idealism and became another seal in the aquarium.

© Dancing at My Wake 2011-2012


Something Sparkles in St. Louis

Baseball is serious business to St. Louis Cardinals’ fans. This year’s wild card-berth in the National League divisional playoffs marks 23 years of postseason appearances in the team’s remarkable history.  For the first-half of the 20th century, the St. Louis Cardinals was the only major league baseball team west of the Mississippi River.

At the start of this period, St. Louis was the nation’s fourth largest city, surpassed only by New York, Brooklyn and Philadelphia.  In fact, there were seven major newspapers in St. Louis: the Chronicle, the Globe-Democrat, the Post-Dispatch, the Republic, the Star, the World and the German language edition Westliche Post.

By 1901, the population of the United States was 76,094,000.

  • The flag flew over 45 states.
  • The Constitution had 15 amendments, and women could not vote to elect a president.
  • Every American over the age of 35 had been living during the Civil War.
  • Male life expectancy was 47.3 years.  Women lived for 46.3 years, and blacks for 33 years.
  • The average worker put in 59 hours a week at his job – for 22 cents an hour.
  • Only 17-out-of-1000 people owned a telephone.
  • The cost of men’s clothing: pants, $1.25; shirt, 50 cents; shoes, $1.25.
  • Typical grocery prices: coffee, 15 cents a pound; eggs, 12 cents a dozen; beef, 10 cents a pound; loaf of bread, five cents.

The number of motor vehicle deaths in the first year of the new century was 96, the number of lynchings: 130.  During that same summer, the citizens of Pierce, Missouri, a village in the southwest corner of the state, went on a rampage, lynched three black Americans, burned out five households, and drove 30 families into the woods.

St. Louis retained a southern atmosphere of languor, shaded verandas, and bourbon.  The accent was soft, the state called: Mizzoura.  The daughters of high society were presented at the annual Veiled Prophet Ball, first held October 17, 1878.  The Veiled Prophet was a mysterious figure from the Far East, escorted to his Court of Love and Beauty in the Merchants Exchange by Bengal Lancers.  The first Veiled Prophet parade was held after the harvest, to bring farmers and other country people into St. Louis.  It was a business booster like the Agricultural and Mechanical Fair, started in 1856 and held annually for almost 50 years.

St. Louis can trace its baseball history to July 9, 1860, when the Cyclones met the Morningstars for what had become known as the “New York Game.”  Alexander Joy Cartwright of the New York Knicknerbocker Base Ball Club for a game refined the sport, a combination of two long-time British games -cricket and rounders – on September 23, 1845.  Cartwright is responsible for the game of baseball, and not Abner Doubleday.

Cartwright proposed that the infield be diamond-shaped, rather than square.  First and third bases were set 42 paces apart.  The balk was identified and outlawed.  Foul lines were established.  The batter got three missed swings before he was called out.  Most important, runners were to be tagged or thrown out, not thrown at.  By 1857, the nine-inning rule was established and the bases were set 90 feet apart.  An umpire was given the power to call strikes.  No one was allowed to catch the ball in his cap.  For the first time, the shortstop position was moved into the infield.

Allegedly, Sportsman’s Park was first used for baseball games in 1866.  First known as the Grand Avenue Ball Grounds, the park was built by August Solari, who laid out the first diamond in the southwest corner of Grand and Sullivan.  Solari bought the ground for Sportsman’s Park from the Sheehan family.  At the time, the area was largely rural in character and at the western limits of the city.  “Gus” Solari lived in a two-story house on the corner, and he built some modest bleachers along the southern edge of property so that the first-base line paralleled Grand Avenue.

By 1875, the complex was known as the St. Louis Baseball Park and featured a fenced field and a small grandstand seating 800 people.  The park first served as the home of the St. Louis Brown Stockings of the American Association.  As a franchise, the St. Louis Brown Stockings cost $20,000 to create.  Headquarters for the new baseball team was located in the rear of Manager S.M. Graffen’s cigar and baseball goods store at 619 Olive Street.

When the St. Louis Brown Stockings played in the National Association of Professional Baseball Players from 1875-to-1877, they also had their games at the Grand Avenue Park.  The “National League” opened its season in 1875 with 13 entries, including two teams from St. Louis.  Prominent St. Louis realtor John B. Lucas was behind the Brown Stockings, while pitcher Joseph Miles Blong helped form the St. Louis Red Stockings.

The Browns played on the North-side at the Grand Avenue Park, while the Reds played on the South-side in a park near Compton Avenue and Chouteau Avenue.  The St. Louis Red Stockings took the field on May 4, 1875.  By July Fourth, the Reds were out of business.  Under manager Charlie Sweasy, the team posted a record of 4-15.

On the North-side, the St. Louis Brown Stockings finished in second place the first year, but dropped to fourth place the following year.  In 1876, Mike McGeary of the Brown Stockings set an all-time record when he struck out just once all season in 276 at bats.

After the team folded, Chris Von der Ahe joined Al Spink’s consortium of businessmen in founding Sportsman’s Park and Club Association.  Spink was co-founder of the Sporting News.  The group booked a number of exhibitions with barnstorming teams.  Von der Ahe, a north side politician, ran a saloon at Grand and St. Louis Avenues.  At first, he ran the ballpark as a sideline, an outlet for beer sales from his nearby saloon.

In the winter of 1880, the old stands were torn down and replaced with a covered grandstand.  The next year, Von der Ahe converted August Solari’s two-story house in the right field corner into a beer garden, complete with lawn bowling and handball courts.  With a capacity for 6,000, fans stood behind ropes only a dozen feet behind the outfielders.  In 1882, the St. Louis Browns became a charter member of the American Association, a new major league that offered fans beer and Sunday baseball forbidden by the older National League, then in its seventh season.

Two years later, the St. Louis Maroons of the newly formed Union Association took the field on April 24, 1884.  Owned by Henry Lucas, the flamboyant railroad millionaire with a passion for baseball, the Maroons first played their games on a baseball field at the corner of Cass Avenue and 25th Street, conveniently accessible to two streetcar lines.  Henry Lucas, the nephew of John B. Lucas, was the president of the Mutual City Transit Company.

In 1884, the St. Louis Maroons dominated the Union Association’s one and only baseball season.  The team won their first 20 games of the season, a record that still stands.  Known by the nicknames of either the “Onions” or the “Black Diamonds,” the St. Louis Maroons finished 94-19, 21 games ahead of second-place Cincinnati Outlaw Reds and 61 games ahead of last-place Kansas City Unions.  Other teams in the baseball league included:
Altoona Mountain Cities
Baltimore Monumentals
Boston Reds
Chicago Browns
Milwaukee Cream City’s
Philadelphia Keystones
Pittsburgh Stogies
St. Paul Saints
Washington Nationals
Washington Quicksteps

Lucas remained the predominant financial booster of the entire Union Association that quickly dissolved at the end of the 1884 season.  A year later, Lucas bought the Cleveland franchise of the National League and moved it to St. Louis.  Still known as the Maroons, Lucas built a new baseball facility called Union Park, located on Vandeventer Avenue and Natural Bridge Avenue.  Union Park, with a seating capacity of 10,000, was located across the street from Fairgrounds racetrack.

The Fairgrounds once included 50 acres at the northwest corner of Grand Avenue and Natural Bridge Plank Road.  By 1874, the grounds expanded to 83 acres and included an Art Gallery, Natural History museum and the Zoological Gardens.  The zoo was comprehensive and maintained separate buildings for the display of monkeys, deer, bears, reptiles, as well as paddocks for outside animal exhibits.

When Lucas re-established his franchise, he organized a group of investors, including St. Louis businessmen Ellis Wainwright, owner of the Wainwright Brewing Company, and Adolphus Busch, head of Anheuser-Busch.

As a National League team, the St. Louis Maroons played through September 23, 1886.  Later a fire destroyed Union Park, rebuilt as Robison Field and used by the St. Louis Cardinals until June 29, 1920.

The St. Louis Browns of the American Association sparkled in the late-1880s, when the team finished in first place three years in a row.  However, starting in 1889, the team slipped to second place for three straight seasons.

When the American Association disbanded after the 1891 season, Von der Ahe’s Browns moved into the 12-team National League.  Other teams in the baseball league included:
Baltimore Orioles
Boston Beaneaters
Brooklyn Bridegrooms
Chicago Colts
Cincinnati Reds
Cleveland Spiders
Louisville Colonels
Philadelphia Phillies
Pittsburgh Pirates
New York Giants
Washington Senators

On April 12, 1892, 8,640 fans saw the St. Louis Browns lose to the Chicago Colts 14-10, beginning a new era in St. Louis baseball history.  As the St. Louis Browns started to slip in the National League standings, Von der Ahe offered other promotions at Sportsman’s Park.  He initiated horseracing; merry-go-rounds, beer gardens, and a shoot-the-chute boat ride from a high tower into an artificial lake.  He was baseball’s answer to P.T. Barnum, and the ballpark was his three-ring circus.  He wanted to make Sportsman’s Park the “Coney Island of the West.”

Meanwhile, the St. Louis Browns of the National League established a tradition of futility, losing over 90 games for four consecutive seasons.  After the 1898 season, Von der Ahe was forced out as president of the St. Louis Browns.  The team was inept and lost 111 games that year.

Von der Ahe’s team was eventually sold to Frank and Stanley Robison, owners of the Cleveland Spiders.  The Spiders finished fifth in the 12-team league with a record of 81-68 under player/manager Patsy Tebeau (1864-1918), a St. Louis native from the Goose Hill district.

Before the 1899 season, the new owners transferred the best Cleveland players and their manager to St. Louis, hopeful a switch would improve attendance in both cities.  In effect, the Browns and the Spiders swapped teams.  This marked the second time a Cleveland baseball franchise moved to St. Louis.

Shifting to St. Louis in the monumental exchange were player/manager Patsy Tebeau, infielders Cupid Childs, Ed McKeen, Bobby Wallace, and Harry Blake, outfielders Jesse “The Crab” Burkett, Lou Cruger and Jack “Peach Pie” O’Connor, pitchers Cy “Cyclone” Young, Jack Powell and Nig Cuppy.  Since the St. Louis Browns were perceived as losers, the team quickly changed its name to the St. Louis Perfectos before the 1899 season.

The team also changed field location and played at old Union Park, on Vandeventer Avenue and Natural Bridge Avenue, renamed Robison Field.  For the St. Louis home opener in 1899, an estimated crowd of 18,000 crammed Robison Field, despite a streetcar strike, to watch Cy Young handcuff the Cleveland Spiders 10-1.  The new St. Louis team showed promise and finished in fifth place with a record of 84-67.

In Cleveland, the transplanted Browns were known in the press as the “Exiles.”

Officially, the Cleveland Spiders, with former Browns players Lave Cross, Tommy Dowd, Joe Quinn, Joe Sugden, Tommy Tucker, Willie Sudhoff and Jim Hughey, finished in last place with the embarrassing record of 20-134.  At the end of the season, the National League dropped its four least profitable teams, which included the Cleveland Spiders, Baltimore Orioles, Louisville Colonels and Washington Senators.

In 1899, the paired down eight team league included:
Boston Beaneaters
Brooklyn Superbas
Chicago Orphans
Cincinnati Reds
New York Giants
Philadelphia Phillies
Pittsburgh Pirates
St. Louis Perfectos

The new team in St. Louis changed the striping on their uniform from brown to red and was quickly tabbed the “Cardinals,” by St. Louis Republic sports reporter Willie McHale.  By the following year, the team was officially known as the St. Louis Cardinals.  The original name was that of a color, much like the Stanford University Cardinal.  The team’s avian identity did not appear until 1925.  The Cardinals rose to a first-division fifth place in 1899 and 1900 and to fourth in 1901 before sinking into the second division for a dozen years.

In 1901, Byron Bancroft “Ban” Johnson dramatically transformed professional baseball when he re-christened his Western League as the American League and fielded eight teams in major cities.  When the inaugural season of the American League ended in 1901, “Ban” Johnson encouraged the Milwaukee Brewers to move to St. Louis, where the franchise would pit itself against the St. Louis Cardinals, owned by the Robison brothers.

The Milwaukee Brewers of the American League finished in last place with a 48-89 record under future Hall-of-Famer Hugh Duffy.  The Brewers dropped their name in favor of the former name of St. Louis Browns.  The first move the Browns made was to raid the roster of their new rivals in St. Louis.  This ensured there would be bad blood between the two teams for years to come.  Among the Cardinals, star infielder Jesse Burkett “jumped” his contract to play for the Browns.

For the start of the 1902 season, the new St. Louis Browns moved right into Sportsman’s Park, and became a great success.  Other teams in the American League included:
Boston Pilgrims
Chicago White Sox
Cleveland Naps
Detroit Tigers
Philadelphia Athletics
New York Highlanders
Washington Nationals

Ralph T. Orthwein, a financial wizard, originally owned the American League St. Louis Browns.  Orthwein led a syndicate of wealthy business leaders in buying the Milwaukee Brewers from Henry and Matt Killilea.  However, a year after the Brewers moved to St. Louis, Orthwein sold the Browns to Robert Lee Hedges, a Cincinnati carriage manufacturer.

Hedges relocated to St. Louis and poured most of his profits back into the Browns.  Sportsman’s Park benefited the most from Hedge’s plans.  In a revolutionary move, he built a double-decked grandstand that formed the central structure of the park until it was torn down in 1966. Hedges also cleaned up the grounds of Sportsman’s Park, which at times resembled a garbage dump.

Beginning in 1903, the St. Louis “City Championship” series featured post-season games between the Browns and the Cardinals.  The Browns won five-of-seven games in the inaugural series of 1903.  The Cardinals won only three “city titles” through 1917, when the fall series was replaced by a traditional two-game spring exhibition – typically on the Saturday and Sunday before each club’s regular-season opener.

In June, 1913, St. Louis Browns owner Robert Hedges hired one of his former catchers as chief administrator.  Wesley Branch Rickey’s decision to accept the offer had a resounding effect on baseball in St. Louis.  During a brief stint as the head baseball coach at the University of Michigan, Rickey discovered a left-handed pitcher, George Sisler, who was destined to be the greatest St. Louis Brown player in history.

Sisler compiled a 4-4 record in 1915 with an ERA of 2.83.  However, just like Babe Ruth, another pitcher, Sisler was such an outstanding hitter that he switched to a fielding position to be in the lineup every day.

The 1913 season will also be remembered as the first and only time both St. Louis teams finished in the cellar.  The Browns lost 97 games, while the Cardinals lost 98 times.  The Browns led the American League with 301 errors.

By the spring of 1914, St. Louis offered baseball fans a third professional team with a franchise in the new Federal League.  The St. Louis Terriers were owned by Philip deCatsby Ball and Otto Stifel for two seasons.  The Terriers played their games at Handlan’s Park, just south of present-day St. Louis University.  Laclede Avenue bound the baseball park on the north, Grand Avenue on the west, Clark Avenue on the south and Theresa Street on the east.  The park, named after Eugene Handlan, was also known as either Laclede Street Field or Federal League Park.  In 1914, Handlan’s Park seated 12,000 spectators.

Other teams in the new baseball league included:
Baltimore Terrapins
Brooklyn Tiptops
Buffalo Blues
Chicago Whales
Indianapolis Hoosiers
Kansas City Packers
Newark Peppers
Pittsburg Rebels

The St. Louis Terriers did not do well financially and finished in last place in 1914.  During the first year, the Terriers had two managers.  Mordeaci “Three Finger” Brown (1876-1948) posted a record of 50-63 before Fielder Jones (1871-1934) replaced him, and finished the season with a 12-26 record.

Player/manager Three Finger Brown had a 12-6 record as a pitcher for the St. Louis Terriers.  Later that year, he pitched for the Brooklyn Tip-Tops.  In 1915, he managed the Chicago Whales.

Mordeaci Peter Centennial Brown began his pitching career with the St. Louis Cardinals in 1903.  However, he quickly became the mainstay of the Chicago Cubs.  He was known as Three Finger Brown because of a boyhood accident with a feed cutter that destroyed most of his right index finger and paralyzed his little finger, yet only helped improve his pitching.  Brown won 20 or more games six years in a row during the first decade of the 1900s.  During his career, he averaged a 29-13 record and a 1.63 ERA. Three Finger Brown pitched for the Cubs in the all-Chicago World Series of 1906.  The White Sox were managed by Fielder Jones, and won the series after knocking out Three Finger Brown in the second inning of the final game.

After Fielder Jones took over for Three Finger Brown as manager of the St. Louis Terriers, also known as either the “Slu-Feds,” (the St. Louis Federals) or the “Miners,” the team rebounded in 1915, just a few percentage points out of first place.

To end the monetary bloodshed of three baseball leagues, the Federal League disbanded with the promise that two team owners could buy into the established major leagues.  Phil Ball of the St. Louis Terriers bought the St. Louis Browns of the American League and Charles Weegham bought the Chicago Cubs of the National League.

Fielder Jones stayed with Phil Ball and managed the St. Louis Browns from 1916-1918.

By 1919, the St. Louis Cardinals were suffering through the lowest period in their history.  Owner Sam Breadon asked Phil Ball if his team could share Sportsman’s Park with the Browns.  Sam Breadon, a motor magnate from New York City, increased his investment in the Cardinals until by 1919 he was majority stockholder and club president, now with former Browns executive Branch Rickey as vice president and general manager of the team.

In what can only be termed a master move, he used all of his boyish charm and wit to cajole Phil Ball into permitting the Cardinals to become tenants of the Browns at Sportsman’s Park.   Robison Field held only 7,000 fans; Sportsman’s Park could easily accommodate 18,500.  More importantly, Robison Field was old and rickety.  Its wood construction made it a firetrap.  Breadon and the Cardinals had no alternative but to move, even if that meant leaving town.

While Ball was putting together a team of championship caliber, Breadon was fighting off the bill collectors.  If Ball had been a sharp businessman, he could easily have run Breadon and the floundering Cardinals out of St. Louis.  Ball made what turned out to be a fatal mistake.  For between $20,000 and $25,000 a year, the St. Louis Cardinals became a tenant of the St. Louis Browns.

By 1922, the St. Louis Browns were regarded as the best team the franchise ever produced.  Yet the Browns did not win the American League pennant that year.  Finishing one game behind the New York Yankees, the Browns did have many notable achievements.

The St. Louis Browns led the American League in seven categories: hitting, triples, stolen bases, strikeouts, fewest walks allowed, saves and an ERA of 3.38.  Six of eight position players hit over .300.  George Sisler led the way with a .420 batting average for the season.  The other players included Ken Williams (.332), Johnny Tobin (.331), Hank Severeid (.321), Marty McManus (.321), and Baby Doll Jacobson (.317).  Backup catcher, Pat Collins, hit .307 and pitcher, Emil Vangilder hit .344 in 93 at‑bats.

The St. Louis Browns were the first team in American League history having four players bat in more than 100 runs each: Ken Williams (155), Marty McManus (109), George Sisler (105), and Baby Doll Jacobson (102).  The ace of the pitching staff was Urban Shocker, with a record of 24‑17, and a 2.97 ERA.

St. Louis Browns owner Phil Ball was exultant over his brush with a World Series in 1922.  He boldly predicted there would be a World Series in St. Louis by 1926 and increased the seating capacity of Sportsman’s Park from 18,000 to over 36,000.  He was only half right about his World Series prediction.  There was a series in St. Louis, but it included his Cardinal tenants and not the Browns.

With the St. Louis Browns grabbing the headlines with their near-miss pennant, Branch Rickey was content in busily assembling a minor league “farm” system that one day would produce Joe “Ducky” Medwick, Stan Musial, Terry Moore, Enos Slaughter, and Marty Marion, all marquee players that would win pennants and attract legions of Cardinal fans.

© Dancing at My Wake 2011-2012


Our Lady of Dogtown – Chapters 11-14

Chapter 11
My mother did not succeed in becoming an interesting person, so she fell hopelessly in love with barbiturates. This led to even more breakdowns and setbacks.

While my mother had a revolving door link with mental wards in St. Louis, and my father grew coffee in the old Aztec country of México, I spent time with my grandmother, and she taught me many valuable lessons.

What Molly Malone had learned in her life, filled as it was with death, separation and marital betrayal, commanded respect.  Her eyes, dark blue, still looked as innocent and untouched by experience as they must have been when she was ten.  Yet because of her age, Molly was a woman who had a history, and that invested her with authority.  My grandmother implied in what she said, and in what she did not say, and even in her body language that whatever was happening, she had seen it all before.  Molly was usually very calm, very quiet, but her silences had more meaning than her words.

Perhaps the greatest gift my grandmother gave to me was her love of baseball.  My father enjoyed baseball, too, but my grandmother was passionate about the game.

I grew up a follower of the St. Louis Cardinals.  A highlight of my boyhood was 1963, when voters selected the infield of Bill White, Julian Javier, Dick Groat and Ken Boyer to start the All-Star Game.  Of course, the next year was even better, as the Cardinals beat the New York Yankees in the World Series.  The Cards were playing below .500, in seventh place, in mid‑June 1964 when the arrival of speedy young Lou Brock sparked a revival of both team and player.  Brock, who had been hitting .251 with the Chicago Cubs, hit .348 the rest of the season and stole 33 bases as St. Louis hurtled into the midst of a four‑way race for the pennant that was settled only when they took the flag with an 11‑5 win on the final day.  After surprising Yogi Berra and the Yankees in the World Series, the Cardinals were themselves surprised when Manager Johnny Keane left to take the Yankee helm.  The club slipped into the second division for a couple of years under the management of their great former second baseman Red Schoendienst.

To go to Sportsman’s Park on North Grand Avenue was to experience baseball intimately.  My grandmother had been a long time fan of the St. Louis Browns.  No doubt, free tickets to the games inspired her in the early 1940s, courtesy of Browns’ manager Luke Sewell.  My grandmother’s older sister, Alene, married Henry Law, a cousin of Sewell.  The relationship was significant enough that Alene’s oldest daughter was named Dorothy Sewell Law.

In early 1965, my mother interviewed for positions as a buyer with department stores in Hartford, Connecticut and Little Rock, Arkansas.  Finally, in mid-March, she accepted a job with H.P. Wasson’s, a department store in downtown Indianapolis.  When we left St. Louis, she thought it was for good.

When I left Dewey School toward the end of seventh grade, I really had to give up my friends and acquaintances: Mike Buha, Tom Cook, Georgia Diamandis, Philip Diekmann, Dennis Doyle, Mark Edelmann, Randy Faulkner, Lewis Foulk, Wrenae Gilmer, David Greco, Sam Hanke, Melody James, Rita Kraft, Frank Loar, Jimmy Mangosling, Bobby Mayer, Greg Overturf, Dennis Rapplean, Richard Rice, John Steimann, Steve Stillwell, Terry Vancil, Dennis Visos and Patti Willis.

We lived on the second floor of a two-bedroom apartment on Adams Court, in the Meadows Apartment Complex, off East 39th Street.  It was the first time since we left my father in October, 1961, that my mother and I lived alone.

While my mother took the bus every day to H.P. Wasson’s, on the Circle in downtown Indianapolis, I walked several blocks to Public School #11.  During those brief periods when my mother had to be in New York City, I stayed in the apartment by myself.  I was 13-years-old. All that summer, I made many trips to St. Louis by Trailways bus.  After arriving five hours later from Indianapolis, I walked several blocks through downtown St. Louis to the bus stop for the Forest Park connection.  After the bus let me off at Kraft Street and Clayton Avenue, I walked to my grandmother’s apartment on Berthold Avenue.

Although my friends from the neighborhood remained intact, I had already stepped beyond the provincial limits of Dogtown and now existed in another world.  I was a transient, just passing through, an outsider.

However, by January of 1966 my mother skidded off course and we were back in St. Louis, specifically living with my grandmother again in the apartment at 6655 Berthold.  I was in the eighth grade class at Dewey School.  Though I had only been absent from my Dogtown friends for six months, life had changed among us, and we all had less and less in common.  Soon I was glad my mother and grandmother decided to move to Clayton.  The move from Dogtown-to-Clayton only consisted of a mile on the map, but it was a profound relocation.

Before the school year finished, I lived in Clayton and still took the city bus to Dewey School each day.  Every afternoon after school, I waited for the Forest Park bus, across the street from St. Mary’s Hospital.  During February and March of 1966, I had no idea that my great-grandmother Shaw was a patient in the hospital.  I had never met Bessie Shaw, and no one spoke about her.  Between my mother and grandmother, if someone betrayed or even disappointed them, the two women erased that person from family history.  There was little discussion to follow, and what happened was always impolite.  The two women shared this trait, which I have also acquired.

For as long as I can remember, my mother and grandmother educated me specifically in the history of the Malone family.  The whole Sheridan family was overlooked. No one spoke about them, except for Liam Sheridan, my grandfather, who my mother always held in high esteem. Otherwise, the whole lot never mattered.

Molly Malone especially had no use for my father.  He was Catholic, and that was reason enough.  My grandmother had also married an Irish Catholic and it only produced immense heartache, because my grandfather Malone conformed to the worst stereotypes.  He drank and screwed all the time.  His affair with the daughter of a friend resulted in a child, and my grandmother avoided further humiliation by divorcing him in 1944.  My grandmother knew the same fate awaited my mother, and she could barely refrain from clucking her tongue in a “told-you-so-manner” when my parents divorced after a decade of marriage.

Chapter 12
When my grandmother and her two sisters were together, a rare event, the atmosphere was like a symposium of experts.  Each sister had a different truth to reveal about her early life in the South.  The experience of growing up in a coastal city on the Gulf of Mexico, deep in the Old Confederacy shaped their lives forever.  The Civil Rights Movement of the early 1960s was outlandish to them.  There was always the sense that the three sisters were both Irish and Southerners. Overwhelmed by the British in Ireland, and later overwhelmed by the Union Army in the Old South, the story of this Malone family was about surrender but not defeat.

The stories told round the dinner table were repeated continuously; nothing had to be recorded on paper.  The narrative of the Malone family arrival in New Bern, in the Carolinas (now North Carolina) in 1745 was the starting point.  This oral tradition was no different from the seanchie reviewing the genealogy of the clann.  The Irish custom remained intact, despite the exile from Ireland and the gradual migration from the Carolina Colony-to-Tennessee-to-Alabama-to-St. Louis.  The Chieftains no longer ruled, but the ritual of talking about family ancestors remained vital.

Shortly after Bessie Malone’s death, I left Dewey School and enrolled at Wydown Junior High School.  It was the third school I attended during my eighth grade year.  I knew I would attend Clayton High School in the fall, so it made sense to join up with the class before September.  My school days – the silent gliding on of my existence – the unfelt progress of my life: Elm Grove, Walker, Dewey, Public School #11, Dewey, and next, both Wydown Junior High School, and Clayton High School.

Clayton was a Jewish enclave.  Many of my acquaintances had grandparents who survived the Holocaust.  Snatches of Yiddish were spoken throughout the neighborhood: in the hallways of school, the delicatessens and restaurants.  Written with Hebrew letters but formed by German, Aramaic, Russian, Polish and various Romance languages, Yiddish was spoken for 1,000 years by Jews from France to the Ukraine.  Yiddish is a mediation between the clashing cultures of the holy tongue of Hebrew and the profane languages of Christian society.  On the eve of the Holocaust, Yiddish was spoken by two-thirds of world Jewry.

The destruction of Yiddish-speaking Jews in Europe by the German Nazis was another horrible lesson in the dangers of statelessness and the vulnerability of exile.  The goal of many Jews in Clayton, as elsewhere in the United States, was to gain the best formal education possible.  A profession, like medicine and law, could be used anywhere.  Jewish heritage underscored the loss of identity in every country of Europe.  One must always be prepared to leave the present country for a new homeland.

By the start of high school, I felt my “otherness” instantly.  The Jews outnumbered the goyim at Clayton High School.  The more common surnames were Ackerman, Blumnethal, Crasilneck, Friedlob, Goldberg, Goldfarb, Goldring, Goldsticker, Koelkebeck, Librach, Mayorwitz, Mednikow, Polakoff, Rosenthal, Rothberg, Schuchat, Shatzman, Wiederaenders, Yawitz and Zuckerman.  Most of these students were the descendants of Ashkenazic Jews, from Central Europe.  Some historians believe that the Ashkenazic Jews are descended from the Khazars, a tribe of Turks who converted to Judaism in the 11th century.  The theory is that a large tribe of Khazars chose Judaism over Islam or Christianity as a neutral position.

The put-down vernacular in the hallways easily favored Yiddish: putz, schlemiel, schlep, schlepper, schlimazel, schlock, schlub, schmuck, schmutter, schmutz, schnook, schvartze and shiksa.  The attitude of humor was ironical, of course; irony as practiced by the Jews and the Irish can be wielded as a weapon, but it is above all a kind of armor.  It is adapted as protection against all manner of psychic injury from enemies, from friendly fire, from self-inflicted wounds.  Irony creates distance, a certain knowing detachment, while acknowledging membership in the club of human weakness and folly.

Yet there were other, more conventional Yiddish words that made the Jewish experience sound wonderfully exotic: chutzpah, glitzy, gunsel, kibitz, kibosh, kvetch, meshuga, nosh, nudnik, oy, rebbitzin, tochus, yarmulke, yenta, and zaftig.

Many of the Clayton High School girls were groomed to be a Jewish-American Princess.  The Jewish-American Princess is the product of a poorly understood process whereby a Jewish mother clones her personality and places it in the body of her daughter.  Symptoms vary but always include manipulative self-centeredness and a compulsive need to redecorate.

There were also new foods to experience, like bagels, blintzes, borscht and sour cream, gefilte fish, knishes, lox, matzah soup, pastrami.  Some of the Orthodox and Conservative Jews kept Kosher – food that was ritually fit to eat.  Kosher food must meet the complex requirements of Jewish law, and the supervising rabbi verifies that such is the case for a given food item.  There are restrictions on which foods are permitted during different times of the year, and a procedure for slaughtering permissible animals with minimal pain to the animal.  The rabbi’s role is to decide questions of Jewish law.

Most all Jews kept some aspect of the kosher laws, such as not eating pork or shellfish.

Perhaps the best place for such food was Bob and Evelyn Protzel’s Kosher Deli on Wydown Boulevard.  Protzel’s Deli sold only flayshedika or pareve foods – that is, nothing containing milk.

Although I was a goyim, I kept track of the significant Jewish holidays so I could miss certain school days, like everyone else.  My motives were not holy at all.  The three major holidays were Rosh Hashanah, Yom Kippur and Chanukah.

Rosh Hashanah celebrates the creation of the world, and as such is the New Year for calculating calendar and sabbatical years.  Yom Kippur – the day of repentance, is the holiest and most solemn day of the year.  Its central theme is atonement and reconciliation.  Chanukah – The Festival of Lights – marks the defeat of Assyrian forces that had tried to prevent Israel from practicing Judaism.  Judah Maccabee and his brothers destroyed the overwhelming forces, and rededicated the Temple.

Most of my friends had already experienced a bar mitzvah, just before I moved into the neighborhood.  A bar mitzvah is an important rite of passage for a Jewish boy at the age of 13 and one day.  Girls become bat mitzvah at age 12.  This is usually celebrated by the adolescent being called to read from the Torah at the shabbat closest to their bar/bat mitzvah.

As is common in Judaism, there is often a party afterwards, which can vary from the simple home reception to an ornate “theme” celebration.  Until a boy reaches bar mitzvah age, he is responsible only as part of chinuch (training).  After the bar mitzvah, the boy is legally an adult in the eyes of Judaism.  This means the following: he is now counted for a minyon (prayer quorum of ten).  He is responsible for wearing tefillin.  He is eligible for aliyot (being called up to read the Torah).  He is responsible to fast on fast days.  He is responsible for observing the mitzvot.

Allegedly, the first public bat mitzvah ceremony was for Judith Kaplan Eisenstein, the daughter of Rabbi Mordecai Kaplan, the founder of the Reconstructionist movement.  Most movements in American Judaism have since adopted the ceremony.

Chapter 13
Later, while a student at Webster College, my education was neither meticulous nor intense, and therefore not particularly fruitful.  Like the Mock Turtle, I studied reeling, writhing and the different branches of arithmetic – Distraction, Excesses and Mockery.  My main objectives were to avoid the military draft for the Vietnam War and to prolong my adolescence.

At first, I planned to take a degree in sociology and be a social activist, like Father Daniel Berrigan, the Jesuit.  I spoke with other Jesuits at Marquette University, and took lodging at Catholic University in mid-April, 1971, for the anti-war demonstrations in Washington, D.C.  But my ideals quickly soured, cynicism set in; and I switched to English literature, where so many frustrated writers end as pipe-smoking teachers in tweeds.

Like William S. Burroughs, as an adolescent I wanted to be a writer because writers were rich and famous.  They lounged around Singapore and Bangkok smoking opium in yellow pongee silk suits.  They sniffed cocaine in Mayfair and they penetrated forbidden swamps with a faithful servant boy and lived in the native quarter of Tangier smoking hashish and languidly caressing a pet gazelle.

Later I realized my mother was the first storyteller I knew.  I was raised by one of the most imaginative women ever to come out of St. Louis, a woman who had a history she continuously falsified.  Mother made up her history as she went along and it was always difficult to tell with mother what was real and what was not real.  Her powers of exaggeration were vivid and refined.  Her imagination was extraordinary and could not be contained.  Mother was a seanchai of prodigious gifts, and she saw no particular virtue in admitting the truth anyway.

For a time, my room rang with the iron of fine words and the names of great masters were articulated with fastidious intonation.  Witticisms were canvassed, depending for their vitality on knowledge of the English language as delivered with an Irish attitude.

Still, the life long occupation with being an entertaining source of shrewd anecdotes was perhaps the worst of all my delusions.  There were many periods when I experienced a histrionic point of view with no hope of outward expression except by writing immense letters.  This was a natural way of conversing with absent friends, based on my actual or imaginary role as a writer, always ready to bequeath my memoirs to posterity.

I was always writing la historie de familia, a document where perhaps the art of digression was never so successfully cultivated, and treating the subject as a comedy of incoherence.  This was naive, yet still promising, as all serious work and purpose is auspicious.

Yet, often enough, I was afraid that anything I wrote would contain the bitter diction and haughty attitude of a solemn memorialist.  I was also afraid that anything I wrote would be a work of revenge and ridicule, of self-adoration and self-pity.  I was never certain if it was possible to draw a line between the imaginary and the autobiographical.  Yet fragments were the only way to tell the story.  There was no point in a traditional narrative, since my parents didn’t exist in linear time.  Everything was episodic.

The memory of my parents was an obsession which more than paid for any misgivings I had about corrupting experiences, to gain the momentary illusion of reality, even at the expense of a terrible and lasting cruelty.  By writing about my parents, I was describing my own impoverished and uncertain prospects.  I had no choice but to write until I no longer felt disreputable.

The catalyst for this role was Henry Miller, the great vagabond of American literature, a prolific epistolary writer of modern times.  In spite of his lengthy period of obscurity, Miller was obsessive about writing, especially letters to friends.  When he was in his early 30s, he tried out techniques, pastiches and dramatic scenes in his letters.  He often wrote several 20-and-30 page dispatches in one day.  Miller’s trip to New York City in 1935 was chronicled in an 88-page letter to his friend Alfred Perles, the longest letter of his career. When he was in his early 80s, Miller wrote one woman 224 letters over a nine-month stretch. In between that period, he led an interesting existence; and that life is mirrored in his letters.

For me, Miller was a prophet, a guide, a father.  I wanted to be his disciple, pilgrim and spiritual son.

Chapter 14
During this same period, some color photographs of father circulated among the family in St. Louis.  He was still living in the midpoint of Old México, where Kathleen Sheridan had finally joined him years ago.  His sister, Lauren – a woman I had met only once when I was young, made the trip in the mid-1970s to see the matriarch of the family.  Years passed before the images surfaced in Dogtown.

In the photographs Jamie Sheridan appeared visibly happy as he stood in front of his near-derelict quarters.  Other selections showed him with Kathleen Sheridan, my grandmother, who wore the fixed grin of a death’s head.  Even in her late 70s, she still appeared as a woman of celestial vapidity. I would always remember her for a voice of dry dismay dying in a sanitarium.

Later images also showed mother and son in front of la Iglesia San Pedro Apostle in gray, overcast light.  I pictured the rain still dripped off the roof and the water rushed down the gutters of the nearby dirt street.  They also stood in the kitchen of their crude dwelling that, according to reports, lacked both plumbing and electricity.  Yet father looked genuinely happy and content.  He had aged better than mother.

As I studied the photographs from México, I could not help recall all the years of struggle   mother and I endured in small, cramped apartments – living from paycheck-to-paycheck.  While father could build his own house in the Sierra Madre of México our only means of transportation were the city buses.  I detested the man who was my father.

Despite my intense bitterness, I wrote father a letter after 15 years of silence.  The letter was a straightforward salutation, without any accusatory charges.  Yet I received no reply.  Of course this did not surprise me.

If Jamie could write his autobiography, he would probably depict himself as caring for his aged mother, reading the Bible, and helping the poor, like St. Vincent de Paul.  He had a mission; he was turning into the new Messiah.  However, at one point, Jamie was so dissatisfied with Padre Antonio Frias that he sat down at the kitchen table and composed a letter on wrapping paper, addressed to God.

An Open Letter
– date unknown [1978]

I, Jamie P. Sheridan, in the presence of Jesus Christ, humbly beseech your guidance in understanding the practices of the priests and sisters here in Chapulhuacan, Hidalgo. In the year 1968 in the Parish of San Pedro having six Santos Angeles was the great server of the Lord fulfilling his duties as the Lord commanded.  I then went to Tamazunchale and lived with Sr. and Senora Sheridan, of the Hotel Tropical, who are very nice people, and lived with them as a member of their family for eight years.

Senor Armando Lopez Rubio said come live in Chapulhuacan, and then we came here and started to live in this town.  Here is a town that has a Roman Catholic Church!  The priests that are to this church are never here.  Why?  Every day they have to run to the ranches.  Away from the work.  For I will say without batting an eye this is the most sinful town in the World todayWhen we had our house built and could move into live we had this idea that this was our Paradise.  Well everything from building the house to its finish we did with the Father Son and Holy Ghost.  Then we started to get acquainted with the Church at this time, the priest was Frias [Padre Antonio Frias] and he was never at the church, always on the bus, going to Tamazunchale, or the capital Mexico City.  Also this same priest Frias would never make house calls.  He always sent the sisters to pray.  He did not want to confess very many people here.  He always seemed to enjoy turning us away from receiving Holy Communion.

– Jamie P. Sheridan

The God of Jamie’s prayers and letters was not the domestic one of husband and wife, children, petty cares, cooking, arguments, and reconciliations.  For years, his God was the monastic one of eunuchs in the desert.

Sometimes it seemed he was no longer himself, Jamie the son of Liam of Castlebar, but perhaps rather a true disciple like Simon Peter son of Jonah of Bethsaida.  Jamie had been sent to México, a divine calling from the Messiah, yet he was never sure of his true purpose.  So, he worked his plot of land, remained humble and lived as an ascetic. Jamie was easily confused and so his own mother occasionally seemed as saintly as Mary of Nazareth.  Since his arrival in the village, Chapulhuacan had gone astray like Jerusalem of old, and the inhabitants seemed oblivious to his correct example.

At night the heavens of México sparkled above Jamie, while below, the earth wounded him with its stones and thorns.  He had stretched out his arms; he struggled and complained as though the whole earth was a cross on which he was being crucified.  As he closed his eyes, Jamie grew frightened.  He heard the hungry dogs begin to howl, felt the entire neighborhood prowling around the house like a wild beast.  Afraid, Jamie reopened his eyes.  The sky had filled with a few more stars and gradually he felt comforted.  His mind illuminated by starlight, he forgot his restlessness.  Jamie closed his eyes again, re-massed those thoughts that had lingered on Louisville Avenue, the South Pacific Ocean, El Hotel Tropical, and tried to put them in order.  But it was so difficult.

Finally, an air of sanctity and beatitude hung over the bedroom.  Jamie breathed tranquilly and fell asleep.

© Dancing at My Wake 2011-2012

 

 


Letter to Beckett #4

August, 2011

Dear Beckett:

It sounds perfectly decadent to say we had breakfast in Seoul, lunch in Osaka, and dinner in Rome.  Yet this happened the day we left the Orient for our annual summer cruise. Lunch in Osaka, Japan?  Really?  The most reasonable flight arrangement, both money and time-wise, had us re-route two hours to Osaka for a direct flight to Rome.

Of course this resulted in a waste of time.  But there’s plenty to do in the economy section: watch lame films on a screen no bigger than an iPad, listen to specially tailored playlists on an iPod, read a lightweight James Patterson thriller from the airport bookstore, or sleep in a small seat next to a sweaty semi-corpulent stranger with dog breath, who keeps elbowing for every inch of extra space.

As for the Eastern Mediterranean cruise and our time in Europe, Lexi and I had a very enjoyable and laid back experience; just what one expects on such a vacation.  Unlike the Orient, the weather in the Eastern Mediterranean was delightfully sunny every day.  Prior to our departure from Civitavecchia, the port for Rome, we decided to stay one full day at the Hotel Diocleziano on the way in-and-out of the Eternal City. Why this hotel?  No particular reason; good reviews on TripAdvisor more than anything.  It turns out the four-star hotel is on Via Gaeta, just two blocks from the central train station.  This is the same neighborhood where we stayed several years ago.  So this was like returning home.

I won’t bore you with a travelogue for the ports of call in Athens and Istanbul, plus other minor stops.  The ship docked in Athens for one day, and a lot of people indulged in the high-priced excursions.  Instead, we took a shuttle to the Plaka, the older neighborhood of Athens – in the shadow of the Acropolis.  This is where we stayed at the Hotel Astor for five days in December on an earlier trip.  So, again, it was like returning home.  Lexi and I walked through the central neighborhood reminding ourselves of all we experienced that Christmas season.  Every evening in late December we’d step out onto the street and gravitate to a new restaurant with yet another new and appealing smell.  Nothing has changed in the Plaka, and our favorite places are still going strong as if time has stopped.

Istanbul is fascinating and looks more European than Middle Eastern, though I’m more easily drawn to Athens and Rome.

Western history tells us that groups of barbarians sacked Rome repeatedly in the early 400s, and civilization slipped into the dark ages for 1,000 years.  This is hardly accurate.  The Roman Empire had already shifted to Constantinople long before the Eternal City lost its luster, and the show played to dwindling audiences.

As all empires recede, largely because they become over-extended and fall into debt, many try to forestall their demise by sub-contracting the barbarians to guard the frontier.  The Romans grew fat and sloppy, and turned to the Germanic tribes who screwed them.  The Arabs turned to the Turks who had already drifted across the steppes of Central Asia – dutifully converting to Islam.  But the upstart Turks screwed the Arabs.  By the outbreak of World War One, the Ottoman Empire was so bruised and battered that it was willing to ally itself with the highest bidder.  Forget the Serbian nationalists and poor Franz Ferdinand.  The British Empire offered the Turks big money to join in with France and Russia – but Germany offered more money.  So the Turks went to the killing fields of World War One for good money from Deutschland, and not for political ideals or resources.  Of course the Ottoman Turks bet on the wrong team and lost everything.

Yet the Romans who really put Constantinople on the map, and gradually evolved into the Byzantine Empire, only amount to a minor blip on the screen of European history and that’s when the city fell to the Turks in 1453.  This, of course, kicked-started the Age of Discovery for Western Europeans who were unwilling to pay the Turks for access to the Silk Road.  Think of it: within 40 years Columbus was in present-day Cuba, wiping out the Carrib culture with smallpox and guns.

To shift between Rome and Athens and Istanbul the past few weeks was quite amazing.

There is my weakness for books, but there is also my weakness for Oriental carpets.  Books are a constant acquisition; I go hot and cold on carpets – meaning I can resist temptation for quite some time, and then I succumb.  This year I’ve already dropped some pretty polly for two wool and cotton single knot Tabriz carpets (a 9×12 and a runner) – the equivalent of a month’s gross salary.  Now that Lexi has moved into a new office for her consulting work, she wanted a Turkmen wool and cotton tribal carpet (traditionally dark red) to compliment the one she’s already using from our personal collection.

While in Istanbul, we toured the Blue Mosque and the Hagia Sophia (St. Sophia’s).  This also called for a quick trip to the conveniently nearby pricy carpet store, where the glib-talking Australian grifter runs the gullible tourists through – tries and shakes them down quickly; just like the gems and jewelry routine in Shanghai, Hong Kong, Bangkok, Kuala Lumpur and Singapore (and a hundred other cities).

For years I’ve haggled with carpet dealers in Bahrain and Germany and Japan – but there’s always something new to learn.  After a bit of charming small talk and some inconsequential refreshments, the dealer asks the buyer for $4,000 for a single knot wool and cotton 8×10 carpet. The buyer counters with $2,000 – and both parties try to save face and meet somewhere in between. In Istanbul the price was insanely high: $3,500; part of this included shipping to the States … plus a cut for the assistants (who roll out the carpets), the tour guide, the bus driver, somebody’s one-legged aunt.  Why would I pay any kind of substantial money to a stranger for any product, walk out of the store empty-handed (the check is in the mail) and expect to ever see my purchase again (or the same item I selected)?  Naturally I left with my wallet intact.

On to Kusadasi, in Turkey, for the day.  There were some excursions to Roman ruins 15 or 20 miles away in Ephesus – but, really … more Roman ruins?  Allegedly, Mother Mary … you know, the woman who cucked Joseph with God and had little baby Jesus … lived out her last days in some low-rent house in the countryside (probably built in the twilight of the Ottoman Empire for well-fed European and American tourists).  It’s a long way to Tipperary, but an even longer way to Jerusalem. Who makes up this shit?

A few days later we had lunch with a black American woman from the cruise. This woman absolutely gushed about the trip to Mary’s house near Ephesus.  I knew better than to upset her with “religion is for people who need an imaginary friend in the sky.” But why is it that so many black Americans embrace the religion that justified the enslavement of their ancestors during the American colonial period and the early days of the Republic?

That morning in Kusadasi, Lexi and I walked into the Grand Bazaar and a salesman immediately appealed to her weakness for a fine leather coat.  I must say, it was a fabulous coat.  The price?  Insane, of course. “My friend, this coat is finest leather.  Notice the craftsmanship.  The price is $700.  But, my friend, for first customer of the day … I give you special discount.  Best price is $550.”

What a load of rubbish.  To pay $300 was to the extreme of extravagance.  I put the discussion on hold because I was seriously on the look out for that Turkmen carpet.  Now it was back to normal haggling: no minor kickbacks to coolies, tour guides, bus drivers, and toothless relatives.  The protocol actually lasted some time – almost two hours for the entire performance, but I walked away (literally) with what I wanted – plus Lexi’s leather jacket thrown into the deal.  The carpet was the same size as the one I considered in Istanbul.  The price in the Grand Bazaar of Kusadasi was $2,500.

The problem was: how do I get this carpet home?  The store gave me a suitcase to take the carpet back to the ship, but it was a conventional suitcase – not appropriate for carry-on.  First (as I later discovered), the folded carpet weighed 50lbs.  Carry-on for most airlines is limited to 11 lbs – but the real issue is how to cram 50 lbs into small luggage suitable for overhead.  Secondly, one of Lexi’s young teachers (mid-20s) packed her laptop in a suitcase for her summer trip to the States and it was stolen before she arrived in Atlanta.  Thirdly, regardless of extra charges for a suitcase, I didn’t want to turn over luggage with an expensive Oriental carpet at the Rome airport, because I assumed it would never leave the city – because the Italians are notorious for thievery, but in the end, I had no choice.

Apparently a lot of people going through the Rome airport, the most chaotic place I’ve experienced, have the same concerns.  For a reasonable fee, you can have your luggage wrapped tightly in plastic to thwart damages … and theft.  An Italian shakedown (protection money), but I did this gladly.  We stood in line for an hour to check-in our luggage because the conveyor belt didn’t work.  This was in our favor because when things finally started again, it was more chaos.  Typically, passengers are only allowed one piece of luggage for cargo – anything overweight, let alone an additional suitcase means more money for the airlines.  At first, I was told my extra suitcase was going to cost me 100 euro.  The dollar is only worth 62-cents against the euro (and 50-cents against the British pound).  That’s almost $142.  At that point what’s another $142 to get a Turkmen tribal carpet home?  Except I didn’t feel like rolling over so easily.  I told the clerk we were on an international flight and entitled to extra luggage.  So many people were clamoring for tickets to avoid missing their flights that he just let it go and tagged the suitcase straight through to Seoul.

We flew on Atalia Airlines from Rome-to-Osaka, and then switched to Korean Airlines – though all on the same ticket arrangement.  The Japanese wanted me to pay for the extra luggage before they sent the suitcase on to Seoul.  What I like about the Japanese is that saving face is very important: no confrontations, everything polite and civil.  If I had to pay, I would pay – but my argument was that the Italians checked the suitcase without an extra fee and this should be honored.  The Japanese agreed, and that was that.

The suitcase arrived unmolested in Tokyo, and the Turkmen tribal carpet is now in Lexi’s office.

Last night, for kicks, I googled Kusadasi Carpet.  There was a posting linked to Lonely Planet. An American couple from a Celebrity cruise ship in March threw down $3,500 for a carpet with their credit card, with assurances that it would be shipped directly to their home in the United States.  The wife even took a photo of her husband and the salesman with the carpet in the store.  Yet the carpet that arrived at their home was not the one they purchased.  The company apologized for the mistake, and said it would square the matter with the credit card company.  Not surprisingly, this has never happened.  The couple got screwed.  I’m glad I walked out of the store with my carpet and ran the gauntlet with a suitcase through the Rome airport.

Sheridan

© Dancing at My Wake 2011-2012

 

 

 

 

 


Letter to Colette #4

Letter to Colette #4

August, 2011

Dear Colette:

At the beginning of summer, I vowed to make some serious progress with my many (many) unread books … a book a week.  I’ve tried to follow this regimen, as much as possible. I think you’d be proud of me.

Since June 20, I have finished (cover-to-cover):

American Caesar by William Manchester (a biography of Douglas MacArthur);
Life by Keith Richards …, which is actually well written, and very compelling;
The Real Life of Anthony Burgess by Andrew Biswell (a biography of  …  Anthony Burgess;
Earthly Powers by Anthony Burgess;
Never Any End to Paris by Enrique Vila-Matas (fiction).

Currently, I’m reading Hopscotch by Julio Cortazar (fiction).

A few summers ago, when Stieg Larsson (The Girl With The Dragon Tattoo) was the rage (and I usually ignore the airport best-sellers), I also became enamored with Roberto Bolano, a writer from Chile.  Both Larsson and Bolano share the common legacy of dying at age 50 and becoming wildly successful immediately after death.

In Bolano’s case, he knew he was under sentence of death due to ill health based perhaps on reckless living earlier in life.  Toward the end, Bolano wrote like a man possessed … (like Dostoevsky) notably The Savage Detectives and 2666.  And now the writer’s widow is judiciously releasing unpublished manuscripts to take advantage of Bolano’s market value these days.

My problem is that when an artist impresses me, I want to know about their influences and this leads me down the rabbit-hole.

So, for instance, the following titles are what apparently influenced Bolano.  This is from an interview:
“In reality the five books are more like 5,000. I’ll mention these only as the tip of the spear:
Don Quixote, by Cervantes;
Moby Dick, by Melville.
The complete works of Borges,
Hopscotch, by Cortázar,
A Confederacy of Dunces, by Toole.

I should also cite Nadja by Breton;
the letters of Jacques Vaché.
Anything Ubu by Jarry;
Life: A User’s Manual, by Perec.
The Castle and The Trial, by Kafka.
Aphorisms, by Lichtenberg.
The Tractatus, by Wittgenstein
The Invention of Morel, by Bioy Casares
The Satyricon, by Petronius
The History of Rome, by Tito Livio
Pensées, by Pascal.”

Not mentioned in this interview is Enrique Vila-Matas, a contemporary of Bolano from Spain – a friend, in fact.  Although Bolano is from Chile, he spent his formative years in Mexico City, and lived most of his adult life in Spain … principally outside Barcelona (a fabulous city).

Vila-Matas’ Never Any End to Paris is quirky, compelling and quite original.  It’s a novel to read for both plunder and for pleasure.  Vila-Matas uses the title as a hook throughout the novel, which pays tribute to Hemingway’s line in A Moveable Feast, a reminisce of his expatriate years in Paris during the early 1920s.

There is no genuine plot to Never Any End to Paris, which almost defies the divide between fiction and non-fiction.  If it is necessary to categorize the written word packaged as a book, this is probably a fine example of a wonderfully extended literary essay.  The protagonist (really Vila-Matas) leaves Barcelona right after college in 1974 to make his mark as a writer in Paris.

Born in 1948, Vila-Matas is nearly my age – and, if I had an ounce of courage at age 22 or 23, I would have gone to Paris to emulate Henry Miller and other American expatriate writers I admired. Instead, I drank cheap alcohol with dead beats in trendy bars, smoked copious amounts of marijuana alone in my low-rent apartment in a dubious neighborhood (there was a whorehouse next door) and made countless excuses to mask my fear and lack of imagination.  When I finally ended my arrested development, I struck out for a nondescript cow town on the desolate plains of Eastern Montana.  Not exactly Paris, was it?   Naturally, you won’t find me writing Never Any End to Montana – though I did enjoy my brief time in Big Sky Country, especially the time I lived just outside Yellowstone Park.

Vila-Matas uses his protagonist to explore the idea of what inspires a writer to step into the ring (borrowing a Hemingway analogy) and box with the obsessions and demons that plague us all … what it’s like to deal with writer’s block … failure, inertia, self-doubt.  While these themes are nothing new, it’s Vila-Mata’s dazzling use of wit, irony and eloquence that makes his report about these conditions seem fresh and profound, and even cheerfully inspiring.  Like a first-rate comedian, the joke is seldom original, but the setup and delivery (tone and diction) is entirely distinctive.

Vila-Matas is also effusive about discussing his influences without sounding like a babbling self-centered adolescent or an insecure adult posing as the smug pseudo-intellectual. He is also spot on (British vernacular) about how writers lead a lonely life of struggle, many of whom succumb to alcohol, and die in unappealing circumstances (destitute, non compos mentis, suicide [like Virginia Woolf, like Hemingway, like Hunter S. Thompson] … you name it).

Obviously, Never Any End to Paris impresses me

I do not have a fetish for writers from the Spanish-speaking world.  Like most Americans, I have been thoroughly indoctrinated by the prism of English literature – either served up by writers from the mother country or the melting-pot flavor of the American experience.  However, at least in the Americas, look southward from Mexico to Patagonia, and there is a vast world of valid writing that people from the United States dismiss as second-rate or ignore outright.

Since so many Hispanic writers (to include Spain and Latin America) have the highest regard for Julio Cortazar (1914-1986), I must become familiar with what is considered his greatest achievement and that is Rayuela, better known in translation as Hopscotch. The writer from Argentina is astonishing in Hopscotch for the beauty of language (even in translation).  I can only go for about 30 pages or so, and then I must put it aside because it’s so intensely dazzlingly (it’s not often one can string two adverbs together).

In the early 1960s, the Argentine writer published Las Babas del DiabloThe Droolings of the Devil, which is now known as Blow-Up, because of the film by Italian director Michelangelo, inspired by Cortazar’s short story. The film Blow-Up came out in 1966 with a young and beautifully stunning Vanessa Redgrave in the lead.  The film also features a brief nightclub scene with the Yardbirds – that rare time when both Jeff Beck and Jimmy Page played together in the group, and they tear up the place (check out the scene on YouTube).

I’ve drifted a bit from Bolano, who is quite good … but so far Cortazar is the master, and Vila-Matas is perhaps his rightful heir.

As I close out my 50s (one of the more interesting and intense decades of my life), it’s plain that I have not achieved any commercial success with the one endeavor I’ve pursued continually since at least age 10, and that is writing.  But I suppose it hardly matters.  I write to keep from going crazy, from doing permanent harm to myself these days.  I write because it is a pleasurable solitary activity that can be accomplished anywhere at any time.  At an earlier age, the same could have been said about the relationship with my appendage … solitary, anywhere and any time – but, at my age, the heyday in the blood has subsided, which is not as bad as it sounds. Yet the obsession for writing persists.  It is what it is.  And what it is exactly centers on the ability to impose order on thoughts and ideas, on at least some facet of my life.  After behaving like a trained seal throughout most of the day, it’s a relief to shrug off this mundane fate and exercise some semblance of free will.

For the first time in quite a while, I did not take a laptop with me on vacation.  An iPad – yes, but I can’t write without a keyboard.  So, for almost two weeks … no writing.  That’s a damn long stretch for me.  And yet I survived, no foaming at the mouth, no nervous breakdowns.  During the hiatus, I read … steadily, something I used to do constantly when I was in high school (though seldom the assigned novels).

In time, you will relax and feel thoroughly comfortable with the way you convey your voice in writing.  You have had your “voice” as long as I’ve known you.  Now it’s just a matter of avoiding being so self-conscious, too introspective and too neurotic about le mot juste – or becoming an exquisite stylist … or thinking: I have nothing of merit to say; besides, absolute masters have said it all before. Nonsense.  Never step on the throat of your song.

As for how to plan for a life ahead of you … make plans, and then be prepared to shitcan them, or have some circumstance upend everything, forcing you to reinvent yourself. The natural disorder of our lives is a nuisance at best, and debilitating in the extreme. If the condition is chronic, a writer should find stimulation in this chaos and avoid the acute and lethal temptations that accompany the bitter significance of this fate.

After both the glorious joy and wrist-slashing heartache I’ve experienced, I’m uncertain about the meaning of life except to be among the living who love and support each other.  The hell with everything else.

Thanks for the excerpts from Raymond Carver.  I have not read anything by Carver, though I’ve long been aware of his fine reputation as a writer.  Now I realize that he also died at age 50, like both Stieg Larsson and Roberto Bolano.

Who can account for the luck of the draw?

Perhaps Carver will be next on my radar, as soon as I move past the contemporary Hispanic writers, a smattering of Anthony Burgess and other British writers.  The list is long, very long.  Although you are attracted to poetry, if you admire postmodern minimalism – especially displayed in a short story, you might acquaint yourself with Donald Barthelme (1931-1989).  Unspeakable Practices, Unnatural Acts (1968) is a fine example of his talent at the start of his career.  Barthelme and Carver are often regarded as postmodern writers – but if Carver is a lean, stripped down version like Hemingway, Barthelme is, at heart, a surrealist, and can be linked to the experimental writing of Joyce and Beckett.

*     *     *

It is extremely rare when I remember dreams.  Perhaps I live in denial enough that even when I succumb to sleep, nothing registers.  This doesn’t bother me – but I also don’t experience headaches – so maybe there’s some correlation.

Not long after the cruise in Southern Europe started, I had a dream early one morning.  I drove my Japanese car (with the steering wheel on the right side) through a small city residential area with a balanced mix of houses and some modest shops.  As I pulled up to the intersection, Ryan and his best friend were there with their golf clubs.  The setting was contemporary.  Ryan and I spoke briefly, and I offered to take him to his destination.  But he indicated that he was fine, and for me to go on.

I don’t need the Medicine Man from Vienna to interpret this dream.  I must go on without Ryan.

Wish me luck.

Sheridan

© Dancing at My Wake 2011-2012


My Empire of Dirt

I hurt myself today
To see if I still feel.
I focus on the pain
The only thing that’s real.
The needle tears a hole
The old familiar sting
Try to kill it all away
But I remember everything.
Hurt
 Trent Reznor

The distance between truth and memory cannot always be measured by reason.

Two years have passed since you died and I still walk through fire and water with numbed ennui. I have tried to assert the reality of illusions, and momentarily change dishonesty into fact. Like a savage detective, I should solve this case. Yet nothing works. All the savants of the Enlightenment can’t help me.

I wish I could be indifferent enough to the past so that I might be tricked and overfed with hope for the future. But your unexpected death has sent me to a hell that I cannot share with anyone. There is no shape or direction to my life. I am truly fucked.

Over a dizzying five-day period I had to endure the news of your sudden death … write your obituary … eulogize you at a standing room only memorial service … and arrange your cremation. This is why I have been driven more harshly into myself and I am wreathed in brokenhearted despondency.

Yet what fresh agony could be added to my miserable grief over your loss at age 21?

There’s always one more infelicitous circumstance.

Shortly after the funeral I had to return to your apartment in Yokohama and remove every trace of your existence.  This is not a commission for any mother.

The ascent to the seventh floor on the cramped elevator could have taken six seconds or six hours, I had no connection to reality.  A Japanese boy no more than five-years-old spoke about me to his mother as if I didn’t exist. We all stood so close that I could hear the swishing of their eyelashes. I understand enough Japanese to know that the boy asked his mother:  “What is the gaijin doing here?”

Call me el hombre invisible.

The boy was right; I was a foreigner, an outsider. I didn’t really count. I was just a ghost on the platform in East Jesus, waiting for the train to nowhere.

Instead, I should have been on my way to your apartment, overlooking Tokyo Bay, to spend another wonderfully ordinary Friday with you. What was I doing erasing you from history? I was out of place, out of time, out of mind. Misery and failure were the twin sides of my silver dollar.  Luck of the Irish.

Grief has an inescapable narcissism, and the rules governing despair are so unsettling that the entire enterprise of living seems spectacularly absurd, like a prolonged exercise in deliberate immaturity. How is it possible to accept the tragedies of life without retreating into comforting illusion or nihilistic collusion? Yet what ensues is black comedy, and I may as well be Renfield, the patient in Dr. Seward’s lunatic asylum, mindlessly chasing insects after coming under Dracula’s influence.

When I stepped into the apartment you shared with Yuki Hayashi, your 22-year-old fiancée, I was already shipwrecked in the depths of desolation. Why not coat me in quicklime to hasten my demise? After death someone settles our remains, yet for the survivors there is no guidance except instinct and tradition.  My immediate ancestors are long dead.  So who was going to help me now? Should I have relied on the Epic of Gilgamesh, the Odyssey, Old Testament scripture, or Icelandic Saga for insight?

Is it true that the gods have allotted man death and kept life for themselves?

Your residence in Yokohama was small, like all Japanese apartments.  Yet immediately after your death the path down that narrow hallway was the longest walk of my life.  There were twenty-one steps from the front door to the balcony at the opposite end, one step for each year of your life.  This was my walk to Golgotha, with only four Stations of the Cross, the Way of Sorrows (Via Dolorosa).  That Friday, every step felt like a small bomb bursting in my heart.

*     *     *
Your small, intimate bedroom with the traditional tatami mat was the first station of the cross.

This was where you slept restfully each night with Yuki, who grew up near Anjinzuka.  She was slim and attractive, slightly taller than most Japanese women.  You first met her at the Yokohama Ferris Wheel on the glittering harbor in July, 2007.  Eighteen months later, this exact location was also where you asked Yuki to marry you and start a life together in Seattle.

One week before you died, the two of you were scheduled to fly from Tokyo-to-Los Angeles for the annual Coachella Festival.  One of the main headliners was Bright Eyes, featuring Conor Oberst.  The introspective lyrics of the Omaha-born artist had been a leading musical influence for you since high school. Posters of the group decorated the walls of your bedroom, and Lifted (2002) by Bright Eyes was still on your new Audio-Technica turntable.

Everything was in perfect order for your return.

Yet there I was late one afternoon, removing posters from the walls, removing clothes from the closet, and removing every material item from the immediate surroundings, everything that symbolized your existence.

What happened between the time I held you so lovingly on the day of your birth in that small Oklahoma prairie town, and that shocking phone call in the Orient nearly two decades later?

The first five years of your life were matchless in perfection.  You were an infinite source of joy. The fact that we had so little money hardly mattered.  With your birth we were finally a family, one that could easily imagine worthwhile hopes.  What finer affirmation of the force of life is there but optimism for the future?

Now I break down with unremitting agony every day over your loss. I am as dead as you; no one has scattered my ashes yet, but I’m gone all the same.

Unshriven, I moved on.

*     *     *

Your tiny kitchen with the compact dark blue refrigerator and red Hamilton coffeemaker was the second station of the cross.

Like every couple, this is where you and Yuki readily intersected every evening to share both conversation and food. Dialogue covered the daily routine, actions both sublime and ridiculous. And food preparation reflected your distinct cultural backgrounds: one evening the cuisine might feature a traditional Anglo-Saxon variation of meat and potatoes, or chicken enchiladas Tex-Mex style; the next night might be sukiyaki or sushi and mildly hot green tea.  Each morning, two cups of Jacobs Kronung Coffee, a delicious German brand, kick-started the early commute to Tokyo.

The kitchen was so intimate that two people could barely maneuver in the room, and so one person played the role of either Anthony Bourdain or Kyoko Kagata to the delight of the other.

Every feature about the kitchen was perfectly attuned to a young couple at the start of a serious relationship.  Yet I stood aimless, and silently watched you move effortlessly through the room; only I was buried beneath a dream that could never be true. I was like a serious fool trying to embrace the shadows of passing birds in the dark.

Slowly, I packed the dishware, the glassware, the utensils and pots and pans. What becomes of these items we work so diligently to acquire? Dispersed among family and friends? Donated to charity? Discarded with the rubbish? Everything is transitory and slips from our grasp; ashes to ashes, dust to dust.

What happened between the time I gently held your hand and first guided you to the elementary school in Oklahoma conducted by the nuns of St. Joseph, and that shocking phone call in the Orient nearly 15-years later?

The second five years of your life were equally matchless in perfection.  You remained an infinite source of joy, and we counted our blessings every day.  The greatest source of wealth was family. Nothing else mattered. Every summer we watched you on that small town field of dreams, that rare left-handed pitcher who alternated at first-base.  In the off-season, you occupied your time with golf and bowling, and the study of risqué George Carlin material.  You were delightfully precocious.  By third grade you had already traveled with me to Mexico by bus to see Jaime Sheridan, my father – the Old Gringo of Chapulhuacán, who lived as an exile in the former Aztec Empire of the Sierra Madre Oriental.

A history that began in Hibernia 2,000 years ago, ended sadly in Japan on April 9, 2009.

St. Louis-native T.S. Eliot was right: “April is the cruelest month of all … for you know only a heap of broken images.”  The Wasteland … the Teenage Wasteland, Baba O’Riley. It’s all a wasteland.

If each moment is a symbol of all the ancestors that came before us, the window to that procession is now closed forever.

Your unexpected death has left me destitute of all hope and imagination.

Unshriven, I moved on.

*     *     *

Your dining room with the small table and Andy Warhol posters along two walls provided the third station of the cross.

One interior wall featured a built-in closet, and the lone exterior wall opened to a modest balcony overlooking the neighborhood fire station.  Yuki took possession of the closet, so the room reflected her personality.  Her ability to speak English resulted primarily from a two-year degree in fashion marketing at a university in upstate New York.  Based on her exposure to the Empire State, and for other reasons, Andy Warhol fascinated Yuki.  She was especially drawn to Edie Sedgwick, the “It Girl” from Warhol’s Factory period.

Since the room had Yuki’s stamp, there was little packing to do on your behalf.  The dining room table likely never served its intended purpose; instead, this was a collection point for negligible mail, college literary books and the odd piece of lingerie.

On that occasion Yuki met me at the apartment, where she had not been for weeks. The pain was too unbearable for her – for both of us.  Yet I was there to help her pack as many belongings as possible.  It was tough, and we didn’t speak much.  What was there to say?  That we both missed you for different reasons … that we both had shared assumptions about the future … that your death completely upended our lives … that we were numb with disbelief  … that we struggled to disavow a reality no one ever wants to experience … that we just wanted a pair of men in white coats to shepherd us to emotional safety.

Yuki still wore her engagement ring, now a symbol of what could never happen, while I desperately hoped that she was pregnant so I could have another chance to connect with you. We didn’t belong to the world of reason that day.

This scene was light years removed from the renovated white two-story farmhouse in Oklahoma, where we lived as a family for years.  During mid-May it was routine to stand casually in the yard on a late hot afternoon, feel the temperature drop perceptibly, see the calm blue sky blacken suddenly in the West, feel the light wind turn violent and know with certainty that a tornado could touch down at any minute with brutal consequences.

Tornado Alley, between Wichita and Oklahoma City, remains a vivid reminder that life is arbitrary. Why are some people touched by tragedy, and others are spared? Neither Jack Daniels, white cross, junk nor Jesus can provide a satisfying answer.

The third five years of your life were still tinsel and gold.  Your curiosity moved over an ocean of ideas with effortless grace. By eighth grade you had already finished The Catcher in the Rye, and found it terrifically boring, a completely overrated novel. Then you quickly devoured Albert Camus’ The Stranger, an examination of the meaninglessness of human life. After reading the existential writer during adolescence, things are bound to change. Even if Camus was beyond your range, you instinctively knew that literature could inspire courage to endure the thin slice of life we are bestowed by the accident of lust. I envied that your sensibilities were so sharp yet you were still far from the adult world of evasion and pretense.

In soft moments, I wanted to keep you protected by a white glow of pure magic before your summer ended on the Oklahoma prairie.  I never wanted you to be like me, soured by the long scrawled signature of human avarice. But you don’t push the river; time passes and we move inescapably toward our death-flared dusk, our private appointment in Samarra.

How could I save you?  I can’t save myself.

Unshriven, I moved on.

*     *     *

Your living room with the Japanese futon couch, 35-inch American TV and black MacBook was the final station of the cross.

The room was so small that these three items consumed most of the available space.

All interior walls reflected your musical tastes with more posters of Bright Eyes, Elliott Smith and The Postal Service.  The balcony along the exterior wall provided a fleeting glimpse of FamilyMart, a Tokyo-based convenience store franchise, at the street-level intersection.  A neighborhood known informally as Little Korea was just a few blocks to the east.  Over 60 years ago, this quarter attracted Koreans from the northern part of their country’s peninsula who preferred second-class citizenship in Japan to the deranged dictatorship of Kim Il-sung.

Late in the evenings after both you and Yuki returned home from a day at work, this was where you enjoyed the entitlements of leisure and the ordinary intimacy of a couple.  In between watching American TV programs through a Korean website on your laptop in Japan, you talked about your upcoming marriage and the move to Seattle.  You chose the Emerald City of the American Northwest for many reasons, two of which were the ability to complete your English Literature degree at the state university, and a sizeable population of Japanese so Yuki could make an easier transition to life in the United States.

During the last five years of your life, you lived as if you were swimming desperately through an overcrowded timetable. You approached everything with remarkable intensity. For instance, you scored a five on both the AP English Language and English Literature tests – and that was without taking one of the courses.  It was written: you would be an English teacher, perhaps even a novelist.  For you, literature was about understanding human behavior through the filter of fiction.  In fact, you made me aware that Dostoevsky’s Crime and Punishment inspired Anthony Burgess to write A Clockwork Orange.  The cycle of life was gradually shifting, and I had much to learn from you.

This was far removed from our staid, Norman Rockwell existence in Oklahoma. In that era, I was a property of easiness, pretending to be a fellow of infinite jest; there was no bright future before any of us. We succumbed to the complacency of lower middle-class standards and experienced death on the installment plan. This meant a bare-bones existence, living paycheck-to-paycheck, and using a credit card that only invited trouble. The best we could muster for years was a two-week vacation on the road during summer, living out of a cheap Wal-Mart tent in a National Forest along the Continental Divide.

One day we finally awoke from this coma of apathy and decided to shake off our life of quiet desperation, thanks Thoreau, and so began our peripatetic chapter. How this happened is a long story. But for years we stayed in classy hotels during travels to Athens, Bangkok, Barcelona, Beijing, Cairo, Doha, Dubai, Dublin, Frankfurt, Hong Kong, Istanbul, Kuala Lumpur, Lima, London, Mexico City, Milan, Munich, Paris, Prague, Quito, Rome, Salzburg, Sanya, Seoul, Shanghai, Singapore, Tokyo, Venice and Veracruz.

How ironic that we had to leave the United States in order to achieve the American Dream. The Sheridan’s in flight again, like the Wild Geese of Ireland. Liam Sheridan, no longer walking on his knees for the British, left for America in 1906. Jaime Sheridan, no longer willing to conform to basic American expectations, left for Mexico in 1963.

These were the last of your possessions to remove from the apartment, one more nail in the figurative coffin.  Instead, I should have been helping you pack for your move to Seattle and a promising future with Yuki.  Instead, I should have been looking forward to years of your most excellent company and extending the Irish family franchise well into the future.

There was no whiskey priest to absolve me of my sins.  I may be a recovering Catholic, but I can’t deny my genetic disposition for suffering and guilt. I am Irish.

“Where have you gone, my blue-eyed son? Where have you gone, my darling young one?”

The hard rain is falling … falling relentlessly.

*    *     *

A few days after closing out your apartment, Lexi and I saw Yuki Hayashi for the last time at a Western restaurant in Grandberry Mall, in a suburb of Tokyo near Yokohama. The three of us sat a table for four, and the experience was painfully awkward because the empty seat was a glaring reminder of your absence and how our lives have been wrecked.

There are moments where because of fear and anxiety, conversation becomes abundant and you invent the stupidest kind of talk sitting next to each other.

– Do you come here often?
– Sometimes.  It depends.
– How are your parents?
– Good.  They said to tell you “hello.”
– How is your job?
– It’s okay. The commute is long. Maybe 90-minutes each way.
– Will you go to the United States during the summer?
– Yes. For a few weeks.
– That’s good.

I’m not sure why we decided to see each other.  We could not possibly say what we really meant.
– How do we go on without Ryan?  Isn’t this fuckin’ hell? Why did this tragedy happen to us?  What did we do to deserve this shit? What is the point of living?  How often do you consider suicide?  Why are nasty filthy obscene sterile pigs allowed to live, and Ryan died? Where can I acquire industrial-strength drugs?

Instead, we talked in friendly cool banalities, waiting for the experience to end so we didn’t have to torment ourselves any further over mutually devastating heartbreak.

*     *     *

You left us as swiftly and as silently as a ray of light.

People say it’s unwise to keep scaling the same mountain, a man knows better when to not look back.  I should move on to my next destination, but it’s hard since we had decades ahead of us.

These days, I gaze at the overreaching sky on continent after continent, looking for some answer about what to do with my empire of dirt. How do I make sense of the chaos this provokes in me? I am the one-legged Ahab at the helm of the Pequod, chasing the Great Whale. This is my great obsession. But what revenge should be exacted for what fate has handed me?

My personality is just a necessity into which I have never settled. At this point I have fallen into a well of loneliness, and I’m trying to evade the expected breakdown. Out my bedroom window is a beautiful Buddhist temple in the lush foothills of the countryside, yet all I see is a barren landscape. Master Chin, my fortuneteller from Kuala Lumpur, says that life is the pursuit of dreams we cannot reach, because they are within reach of the leap we will not take.  Maybe he knows the score.

All I know is that the abyss is out there on the edge, waiting for me.  I can either stand at the edge with eyes closed, fearful of the demons that taunt me, or I can stare back with eyes wide open and say with stunning calm: “You can’t have me.”

A truth I can use for salvation is all I want from life.

The clouds still hang on me while I hover indecisively around the abyss. I pass unnoticed among the living with black indifferent eyes; there is no language to convey this world. In order to write you must have some certainty that you have lived, and now I am uncertain about everything. I am merely a poet of eloquent dubiety, no better than a dilapidated building on a corkscrew street.  Rimbaud departed, left no address.

Like the melancholy Dane, I unpack my heart with words because I want freedom from the agonies of the damned more than anything. Denmark is a prison, mein lieber Güldenstern.

For my part, I don’t know what I am, where I am going, what I am doing.  Beyond here is nothing.

© Dancing at My Wake 2011-2012